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Les intermédes des collections imprimées vision caricaturale de la société espagnole au xviie siècle /Recoules, Henri. January 1973 (has links)
Thesis--Montpellier. / Includes bibliographical references (p. 1251-1270) and index.
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Resurrecting Lope's autos /King, Errol L. January 2006 (has links) (PDF)
Thesis (M.A.)--Brigham Young University. Dept. of Spanish and Portuguese, 2006. / Includes bibliographical references (p. 79-83).
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Dramatic art of Benito Pérez GaldósUnknown Date (has links)
by Margaret Virginia Campbell / Typescript / M.A. Florida State College for Women 1935 / Includes bibliographical references (leaves 101-105) and index
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Xenofobní motivy ve španělské pozdně renesanční a barokní dramatice / Xenophobic Motives in the Spanish Late-Renaissance and Baroque DramaKučera, Mojmír January 2021 (has links)
The aim of my work is to explore the motives of racial and national prejudice in the drama of the Spanish Golden age. On selected examples from the late Renaissance and early Baroque plays, I reflect on the frequency and expressiveness of racially defaming allusions and attitudes based on delegitimization and discrimination of ethnic groups in the religiously and nationally consolidating state. I also notice the development of contemporary xenophobic motives, targeted at members of nations professing Islam and Judaism, as well as other "pagan" ethnic groups. Using literature I try to classify these motives, alternatively to set them into a contemporary historical and biographical context.
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The bandit of the Comedia of the Spanish golden age theatreDuca, Antonino Gennaro January 1978 (has links)
The purpose of this thesis is to make available to those interested in the Cornedia of the Spanish Golden Age an introduction to the Bandit plays. The list of plays makes no claim at being exhaustive. I have incorporated in the text well-known plays and some unknown plays. The method used in identifying bandit plays was to examine collections of the works of famous playwrights such as Calderon, Tirso and Lope. Those plays which, in the dramatis personnae, called for bandoleros, salteadores or facinerosos were read for the purpose of establishing whether they could be used for this study.
Bandit plays, and banditry, have received minimal attention from scholars, studies of the theme limited to a few articles. This neglect is unfortunate because the bandit play forms an entire sub-genre of the Cornedia of the Golden Age and a study of this sub-genre will provide a further insight into the function of the many-faceted Cornedia.
The plays discussed in this thesis follow a definite pattern. Within the limits of an M.A. thesis my intention is to illustrate and analyze on a basic level the salient literary conventions common to the bandit plays. This I attempt to do by giving a systematic, but brief, plot analysis of each play, drawing conclusions from the common elements which emerge.
In order that this study be placed in a proper context, I have included
a brief discussion of historical and possible literary sources for the figure of the bandolero and bandolera. It is my strong conviction
that this modus operandi is of considerable value in enabling us to arrive at an interpretation of the figure of the bandit within the
Cornedia. Once the bandit is seen within his historical context -- and it is evident that this topic requires more attention and research by historians -- any changes that the playwright makes to the figure of the historical bandit will be significant in reaching an interpretation of the Cornedia Bandolera. / Arts, Faculty of / French, Hispanic, and Italian Studies, Department of / Graduate
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Desire and the woman saint in the Spanish Baroque drama /Gascón, Christopher Doherty, January 2000 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 2000. / Vita. Includes bibliographical references (leaves 260-274). Available also in a digital version from Dissertation Abstracts.
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THE SOCIAL-POLITICAL ETHIC IN THE PLAYS OF ANTONIO BUERO VALLEJO PRODUCED AND PUBLISHED FROM OCTOBER 1949 TO OCTOBER 1963Atlee, Alfred Francis, 1932- January 1967 (has links)
No description available.
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THE 'AUTO SACRAMENTAL' AND THE PARABLE IN THE SPANISH LITERATURE OF THE SIXTEENTH AND SEVENTEENTH CENTURIESDietz, Donald Thaddeus January 1968 (has links)
No description available.
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De la crónica a la escena : Arauco en el teatro del Siglo de OroLee, Monica L. 11 1900 (has links)
The encounter between Spain and the New World --the Americas-- is one of the distinctive historical events of the 15th century. So it is surprising that there is very little reference to the Americas in the many plays remaining from the Spanish Golden Age theatre. This thesis studies six plays centering on the Arauco wars in Southern Chile and the figure of one of the first governors of that country, don Garcia Hurtado de Mendoza. The main objective of this study is to demonstrate to what extent the literary elaboration of the topic contributed to the vision of the New World held by the Spanish public.
The dramatists that dealt with this theme did not have any direct contact with the Americas, therefore their representation of that world was based on oral accounts and literary sources available at the time. Among the latter are the letters of a conqueror, two chronicles, two epic poems and a panegiric text. The first part of this thesis consists of the textual analysis of this literary corpus. The main focus of the analysis is the influence of these sources on the dramas and how the characteristics of each genre contributed to their creation. The analysis of the dramatic works with Araucanian content (five plays and one auto sacramental) forms the second part of this thesis. The approach centers particularly on the representation of the Indian world as the "Other" opposed to the Spanish world. The analysis of these texts shows the subtle evolutionary process by which the treatment of the historical fact --Arauco and the Conquest-- in the theatre contributed to create the "idea" of America held at the time in Spain. Also, the re-elaboration of characters and motives indicates the emergence of native mythical figures which have become part of the historic and cultural patrimony of Chile today.
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Theatrical renovation and social criticism in the post-war plays of Enrique Jardiel PoncelaSchirding, Elizabeth D. Blackwell, Frieda Hilda. January 2007 (has links)
Thesis (M.A.)--Baylor University, 2007. / Includes bibliographical references (p. 57-61).
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