M.A.University of the Witwatersrand, Faculty of Humanities (Fine Arts), 2012 / The ‘Bath Series’ (1983-1988) of Jasper Johns shows the artist’s meditation on his oeuvre of the past thirty years, and the examples of his previous works demonstrate his interest in instabilities of visual perception. The latter are activated when the viewer’s expectation to see conventional representational strategies are destabilized, and figure/ground pictorial space, particularly, becomes ambiguous. This first recorded academic study focusing exclusively on the series as a unit, discovers that figure/ground switching, an ‘Ur-Gestalt’ (Gandelman 1989: 209), appears to be a core energy motivating ambiguous pictorial space in Johns’ art, and constitutes the theoretical component of the research. The practical component is a site specific installation which shows some visual and verbal processes and meditates on the perpetual interaction between the eye and the mind, which is a fundamental concern of Johns (Varnedoe 1996b: 245, 257), as well as of myself. The work invites viewers to experience destabilized conventional visual perceptions and to explore, as Johns said, ‘something new’ (Varnedoe 1996a: 17).

The behavior of the electric and magnetic fields in the upper atmosphere of the Earth is scientifically interesting but difficult to study, since balloons and aircraft are unable to fly high enough to measure it directly. Sounding rockets, which make a one-time flight carrying instruments that measure the environment around them, have been successfully used to study the upper atmosphere. As the rocket flies through the upper atmosphere, it radios down data about the environment. When scientists on the ground use this data to construct a picture of the upper atmosphere, they run into a problem: the fields reported by the rocket change over time, but it is not clear whether this is because these fields are actually changing in time, or just because the rocket has moved to a different place where the fields are different. This inability to determine whether changes are happening in time or space is called the temporal-spatial ambiguity. This thesis describes the Auroral Spatial Structures Probe (ASSP), a sounding rocket mission that attempts to resolve the temporal-spatial ambiguity by using multiple payloads flying in formation. Several payloads will pass through and measure the same point in space one after another, which will enable us to see how the fields are changing over time.