The purpose of this collective case study was to explore the significance of choral singing for choristers and conductors participating in a national extra-curricular schools choral singing programme in South Africa. Understanding the experiences of choristers and conductors can contribute to principals, administrators of singing programmes, parents and conductors supporting choral singing activities. The method of inquiry was a qualitative collective case study with probing semi-structured open-ended questions to better understand the value and meaning of choral singing. Sampling comprised six purposefully chosen choirs, consisting of three primary and three secondary schools, portraying the unique socio-economic environment found in an agricultural rural town in central South Africa. Twenty-five participants were carefully selected, including 19 choristers and 6 conductors, 9 males and 16 females aged between 10 and 62 years. Eight themes emerged, namely choir singing as a way of living, music-related experiences, learning, growth, bridging, bonding and belonging, wellbeing, the latter including resilience, self-worth, positive affect, and singers’ spiritual experiences. Suggestions for further research include relationships of choral singing with full personhood and spiritual experiences. Certain physical aspects related to rehearsals, specifically regarding fatigue and back pain after standing through long rehearsals, could be investigated further. / MA (Musicology), North-West University, Potchefstroom Campus, 2015

The purpose of this collective case study was to explore the significance of choral singing for choristers and conductors participating in a national extra-curricular schools choral singing programme in South Africa. Understanding the experiences of choristers and conductors can contribute to principals, administrators of singing programmes, parents and conductors supporting choral singing activities. The method of inquiry was a qualitative collective case study with probing semi-structured open-ended questions to better understand the value and meaning of choral singing. Sampling comprised six purposefully chosen choirs, consisting of three primary and three secondary schools, portraying the unique socio-economic environment found in an agricultural rural town in central South Africa. Twenty-five participants were carefully selected, including 19 choristers and 6 conductors, 9 males and 16 females aged between 10 and 62 years. Eight themes emerged, namely choir singing as a way of living, music-related experiences, learning, growth, bridging, bonding and belonging, wellbeing, the latter including resilience, self-worth, positive affect, and singers’ spiritual experiences. Suggestions for further research include relationships of choral singing with full personhood and spiritual experiences. Certain physical aspects related to rehearsals, specifically regarding fatigue and back pain after standing through long rehearsals, could be investigated further. / MA (Musicology), North-West University, Potchefstroom Campus, 2015