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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 4 of 4 (0.025 seconds)Spelling suggestions: "subject:"stonemasons"" "subject:"stonemason""
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How to order fitting components for looping ribs: Design procedures for the stone members of complex Late Gothic vaultsWendland, David, Degenève, Frédéric 13 June 2017 (has links) (PDF)
The ambitious late Gothic vaults created in the 15th and 16th centuries with their complex shape and complicated meshes of ribs soaring along spatial curves, were extremely demanding in their geometric design. This regards both the design of the whole structure, as also the design specifications for the single stone elements which were prefabricated and fit together on the building site with astonishing precision. In consequence, the particular character of these structures and their geometric features are intrinsically linked to the design routines and the geometric concepts used by the Master Builders.
At present, these procedures and methods are not well understood, because they are not documented in original drawings, and because they differ in principle from the modern practice. In consequence, necessary works of repairing and restoring cannot recur to any information related to the original design. Moreover, understanding the characteristics of information transfer from the design to the execution, would cast a light on the information society in which these constructions were created.
In several case studies, the geometric concepts of the intricate spatial curve systems of late Gothic vaults have been clarified on the basis of detailed surveys and geometrical analyses carried out on the built objects. On this background, also the existing sources such as historical design treatises could be re-interpreted.
In a collaboration between the research group working on the design principles of late Gothic vaults at the Technische Universität Dresden, and expert stone masons specialized on historical working techniques and practical stereotomy at the Cathedral Workshop Œuvre Notre-Dame de Strasbourg, the phases of the design process, such as full-scale drawings on the tracing floor and the production of full-scale models and samples of ribs and keystones, are currently investigated in practical experiments.
As result, we propose a complete picture of the design process from the general concept to the setting-out of the single stone elements. Further, we are able to drive general considerations on the Late Medieval and Early Modern design practice for stone structures and trace a new interpretation of the early treatises of stereotomy.
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How to order fitting components for looping ribs: Design procedures for the stone members of complex Late Gothic vaultsWendland, David, Degenève, Frédéric January 2017 (has links)
The ambitious late Gothic vaults created in the 15th and 16th centuries with their complex shape and complicated meshes of ribs soaring along spatial curves, were extremely demanding in their geometric design. This regards both the design of the whole structure, as also the design specifications for the single stone elements which were prefabricated and fit together on the building site with astonishing precision. In consequence, the particular character of these structures and their geometric features are intrinsically linked to the design routines and the geometric concepts used by the Master Builders.
At present, these procedures and methods are not well understood, because they are not documented in original drawings, and because they differ in principle from the modern practice. In consequence, necessary works of repairing and restoring cannot recur to any information related to the original design. Moreover, understanding the characteristics of information transfer from the design to the execution, would cast a light on the information society in which these constructions were created.
In several case studies, the geometric concepts of the intricate spatial curve systems of late Gothic vaults have been clarified on the basis of detailed surveys and geometrical analyses carried out on the built objects. On this background, also the existing sources such as historical design treatises could be re-interpreted.
In a collaboration between the research group working on the design principles of late Gothic vaults at the Technische Universität Dresden, and expert stone masons specialized on historical working techniques and practical stereotomy at the Cathedral Workshop Œuvre Notre-Dame de Strasbourg, the phases of the design process, such as full-scale drawings on the tracing floor and the production of full-scale models and samples of ribs and keystones, are currently investigated in practical experiments.
As result, we propose a complete picture of the design process from the general concept to the setting-out of the single stone elements. Further, we are able to drive general considerations on the Late Medieval and Early Modern design practice for stone structures and trace a new interpretation of the early treatises of stereotomy.
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Otázky moderní orientace absolventů sochařského ateliéru AVU v letech 1896 - 1914 / The Issues of Modernist Orientation of Sculpture Studio Graduates at the Academy of Arts in Prague in 1896-1914Baborovská, Sandra January 2017 (has links)
The main subject of the thesis are the beginnings of the studio founded by J. V. Myslbek at the Academy of Arts in Prague in 1896. Firstly, the personality of J. V. Myslbek and his evolution as an artist since the early sixties of the 19th century are being discussed. This part covers Myslbek's trip to Paris in 1878 and his friendship with Vojtech Hynais, which helped him gain a deeper understanding of the contemporary French sculpture and which was vital to the stylistic formation of his sculpture "Music" (created between 1891 and 1907, during Myslbek's presence at the Academy of Arts, Architecture and Design and at the Academy of Arts). Myslbek's first students at the Academy of Arts, Architecture and Design were influenced by his lyrical conception; the generation of Maratka's classmates have followed their teacher to the newly established Academy of Arts. Around 1900 sharp controversies between the teacher and his students have arised - these in retrograde seem to be essential for their future success. Graduates of the College of Stonemasonry and Sculpture in Horice were among the students of the sculpture studio at the Academy of Arts in Prague. Their previous training laid an ideal foundation for artistic growth under the tuition of Myslbek, who have stressed the importance of craft, which...
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Stone working in antiquity, general techniques and a framework of critical factors derived from the construction of Solomon's Temple in JerusalemSmith, Anne Marie 02 1900 (has links)
The focus of this thesis is on the most commonly used types of stone, the methods of quarrying stone, stone working, the tools developed and used for that purpose, and the ways in which stone was transported and hoisted into place. This is starting from the earliest times in which large temples or buildings were constructed, namely the Neolithic, up till the time of the Roman Empire.
Besides being a kind of compendium of most aspects of stone working, which could be found, also attention is given to the ideal conditions under which the construction of a large temple or monument could take place. The framework, which is developed from the description of the construction of Solomon’s Temple in Jerusalem in I Kings 5 and I Chronicles 28, is used to analyse the construction of a number of other temples in different times, places and settings, and with the use of different materials, to test if the framework is applicable in all these situations.
Moreover, also other aspects of stone working, such as mosaics and the manufacturing of stone vessels in Jerusalem are described and analysed as to their origins and uses.
The intention is to give an overview of the many ways in which stone has been used, so that the reader can get an idea of how large temples and monuments were built and to gain an understanding of what kind of technical know-how and ingenuity existed in antiquity. / Religious Studies and Arabic / D. Phil. (Religious Studies (Biblical Archaeology))
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