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The Stratford Shakespeare Festival of Canada evolution of an artistic policy (1953-1980) as a basis for its success /Campbell, Nora René. January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1982. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 430-454).
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Promoting ethical consumption behavior through spaces constructed by collective actions and pre-existing values how Fairtrade Towns establish pathways for participation /Stevens, Courtney A. January 2008 (has links)
Thesis (M.A.)--University of Wyoming, 2008. / Title from PDF title page (viewed on Nov. 18, 2009). Includes bibliographical references (p. 117-121).
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The First Ones Back: Actor Testimony and the ‘Show Must Go On’ Ethos at the Stratford Festival of Canada in 2021Lane, Cyrus 02 February 2024 (has links)
This thesis looks at Shakespearean performance at the Stratford Festival of Canada during its 2021 outdoor ‘pandemic’ season. It argues that the dominant pre-pandemic ‘show must go on’ ethos, that puts institutional well-being ahead of actor well-being, persisted during the pandemic season, even as the Festival implemented painstaking anti-racist and anti-oppressive initiatives. Alongside this argument, the thesis interrogates the ethics around the use of actor testimony in scholarship and attempts to ethically expand its focus from pure Shakespearean performance to include actor statements on institutional practices and policy. Extensive interviews with the 2021 casts of A Midsummer Night’s Dream and R+J are, to this end, at the heart of the study. The paper follows Bridget Escolme’s instruction to use actor testimony dialogically and places these interviews in conversation with contemporary Shakespearean performance theory around labour, disability, diversity, pandemic Shakespeare, the nature of the ‘Shakespearean actor’ in Western culture, and, most importantly, with actor testimony from other sources and the auto-ethnography of the author, a Stratford actor himself. Concentrating on testimony around Zoom, masking, and social distancing during the rehearsal process, the thesis reveals the emotional, physical and financial difficulties the actors took on in order for the show to go on at the Stratford Festival during the Covid-19 pandemic.
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On hallowed ground: the significance of geographic location and architectural space in the indenties of the Royal Shakespeare Company and Shakespeare's GlobeRitter, Christina 19 September 2007 (has links)
No description available.
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On hallowed ground the significance of geographic location and architectural space in the indenties [sic] of the Royal Shakespeare Company and Shakespeare's Globe /Ritter, Christina. January 2007 (has links)
Thesis (Ph. D.)--Ohio State University, 2007. / Title from first page of PDF file. Includes bibliographical references (p. 205-212).
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