Thesis--Catholic University of America. / "An appendix containing all the original texts has been appended to the two full length copies of this dissertation, available at the Library of the Catholic University of America."--P. v. Bibliography: p. 206-212.

Thesis--Catholic University of America. / "An appendix containing all the original texts has been appended to the two full length copies of this dissertation, available at the Library of the Catholic University of America."--P. v. Bibliography: p. 206-212.

Typescript (photocopy). / Digitized by Kansas Correctional Industries

This master's thesis in creative writing is divided into two parts. The first constitutes a critical analysis of "minimalist" writing, a term which has been used to describe the work of certain contemporary American writers but which might equally be applied to a portion of the world literature. This literary form has two fundamental characteristics from an aesthetic point of view: brevity and realism. In fact, it could be defined as the short story taken to its ultimate expression. Furthermore, it represents one of two poles by which we can evaluate all literature. The second part of the thesis is a collection of short stories which embody the minimalist aesthetic with everyday life and relationships between couples as their central theme.

Thesis--Columbia University. / Includes index. At head of title: Société de publications romanes et françaises sous la direction de Mario Roques ; [no.] LVII. Bibliographie: p. [217]-228.

M.A. (African Languages) / Please refer to full text to view abstract

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No description available.

'Immediate Passage: The Narrative of Joel H. Brown' is an original work of fiction. The protagonist and narrator, Joel Brown, is preparing to set sail for a singlehanded circumnavigation. As he readies his boat and counts down the days until his departure, he reflects on his previous experience at sea, what he expects to see out there, and why he is even going in the first place. The story ends with his departure. It is set in the present day. The novel is supported by an analysis of the choices of form and style in first person sea voyage narratives, showing general trends and authorial choices in the areas of veracity, structure, point of view, voice, tense, direct speech, and the use of maritime language. A glossary of maritime words is provided as an appendix.

Aristotle's concept of lexis has been discussed by numerous scholars, yet no comprehensive account of lexis has been produced so far. To fill this gap in scholarship, this thesis offers a systematic analysis of Aristotle's concept of lexis by dividing it into three levels, which allow a step-by-step approach to understanding this multi-layered concept. By considering Plato's and Isocrates' thoughts on lexis, Chapter 1 outlines the intellectual context in which Aristotle's ideas on the concept of lexis developed. Chapters 2-5 focus on the three levels of lexis and Chapter 6 brings a concluding discussion of metaphor. In Chapter 2 the linguistic elements treated under the notion of lexis and Aristotle's theory of language are delineated. These not only present Aristotle's thoughts on language as an abstract system, but they also form the most fundamental level upon which the remainder of Aristotle's thoughts on the concept of lexis are based. Chapter 3 explores Aristotle's remarks regarding individuals' use of linguistic elements as determined by sociolinguistic factors. Aristotle's occasional statements about language usage within the concept of lexis provide valuable pieces of evidence for studies in sociolinguistics and for his ideas on lexis on its third level as discussed in Chapters 4 and 5. In Chapter 4 the intra-textual aspect of Aristotle's remarks on lexis as a means for the creation of different kinds of poetry and rhetoric, i.e. lexis as technē, is examined. In Chapter 5 extra-textual factors are considered and are followed by a discussion of the purpose and function of lexis on its third level. Chapter 6 concludes the discussion of lexis by focusing on metaphor, the linguistic and stylistic element par excellence treated under the notion of lexis, which further highlights the benefits of a three-level approach to Aristotle's concept of lexis.