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The zombie parade fictions /Shumate, John W. January 1900 (has links)
Thesis (M.F.A.)--West Virginia University, 2009. / Title from document title page. Document formatted into pages; contains v, 159 p. Vita. Includes abstract.
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The last look out!Rote, Aaron. January 1900 (has links)
Thesis (M.F.A.)--West Virginia University, 2010. / Title from document title page. Document formatted into pages; contains xiii, 53 p. Includes abstract.
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Object and fetish in constructions of a surrealist revolutionary aestheticMalt, Johanna January 1999 (has links)
No description available.
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Nature, primitivism and food : Eileen Agar's engagement with Surrealism, 1921-1940Mackenzie, Verity Amelia January 2014 (has links)
No description available.
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Hidden codes and honest fictions : art, image and perspectivism in the works of J.G. BallardScowcroft, Ronald January 1995 (has links)
No description available.
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Excessive images : Henry Miller and the French surrealistsJahshan, Paul January 2000 (has links)
No description available.
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Interior design for fashion production through the lens of surrealismWelwood, Ashley 15 September 2014 (has links)
In this Master of Interior Design practicum project, the tenants of Andre Breton’s Surrealist theory inform the design of a commercial fashion studio and showroom in the adaptive reuse of a vacant warehouse in Bushwick, New York. The project looks at the circumstances of creative activity for fashion design production. The purpose is to investigate how the interior environment induces spontaneous creation: how one’s working environment influences the work, and conversely how the content changes the interior. Relevant theories on imagination and experimentation in art practice have been used as a foundation for design exploration, primarily through automatism in painting. The design process therefore demonstrates how the correlative relationship between Surrealism and creativity can be evidenced through interior spatial representation. Exterior and interior form and materiality inform the spatial experience and respond to the post-industrial context.
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David Gascoyne : from darkness into light; a study of his poetry 1932-1950Scott, Roger Lindsey January 2002 (has links)
No description available.
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Surrealism in dance, a problem in styleRisser, Mary Winn. January 1960 (has links)
Thesis (M.S.)--University of Wisconsin--Madison, 1960. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 62-63)
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Magical ThinkingConrod, Heidi Jill January 2016 (has links)
In Magical Thinking, Heidi Conrod explores through the act of painting, the depiction of mental states through the cautious release and withholding of visual, conceptual, and autobiographical cues. Reflecting on the nature of memory and time and the fluid ways in which these seemingly immaterial phenomena interact, the paintings represent multiple visions within one viewing experience; commenting not only on the surface of things, but also on what may lie hidden beneath. The works are best understood through introspection rather than a forced rationale.
These paintings are intended to read like a stream, or perhaps a pool of consciousness, where the unconscious is expressed through swirls of imagery with surrealist undertones alluding to the seemingly contradictory conditions of dream and reality. Here fact, fiction, memory and imagination, are intertwined in a non-linear style through a multitude of painterly applications.
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