Diss.--Basel. / Vita. Bibliography: p. 217-261.

Akademisk avhandling--Göteborgs Högskola, etc.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1981. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [182]-186).

Thesis (Ph. D.)--University of Wisconsin--Madison, 1972. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Thesis (M.A.)--University of Wisconsin--Madison, 1964. / Title from title screen (viewed Oct. 1, 2007). Includes bibliographical references (leaves [97]-101). Online version of the print original.

The stories proposed within this thesis examine the daily lives of working class men, women, and children and the subtle dynamics of the relationships between them. The stories engage a variety of narrative perspectives, sometimes employing serious overtones and sometimes shifting toward humor. Stylistically, the stories construct a single unified voice that sifts through common themes including alcoholism, self-pity, the loss of culture, grief, distrust, absolution, and hero worship. / by Dustin Clark. / Thesis (M.F.A.)--Florida Atlantic University, 2009. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2009. Mode of access: World Wide Web.

This thesis explores the ways that certain artists-including Joseph Conrad, Alan Moore, Richard Attenborough, and Francis Ford Coppola-break from their inherited traditions in order to speak from an alternative perspective to western discourse. Conventional narrative formulas prescribe that meaning will be revealed in a definitive end, but all of the texts discussed reveal other avenues through which it is discerned. In Heart of Darkness, the tension between two divergent narratives enables Conrad to speak beyond his social context and imperialist limitations to demonstrate that identity is socially constructed. In Watchmen, Moore breaks from comic convention to illustrate ways meaning may be ascertained despite the lack of plot ends. The third chapter explores the ways that Attenborough and Coppola subvert technical and plot conventions to resist static constitutions of identity endemic to Hollywood film. The several texts discussed subvert the Self/Other duality by suggesting alternatives to the western narrative model. / by Adam Berzak. / Thesis (M.A.)--Florida Atlantic University, 2010. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2010. Mode of access: World Wide Web.

Flotsam is a collection of writing. Flotsam examines divisions of the self. Flotsam is made of fiction, nonfiction, and visual representations of both. Flotsam is made of the truth. Flotsam is made of lies. Flotsam is pretty. Flotsam is a beast. / by Jacob Henson. / Thesis (M.F.A.)--Florida Atlantic University, 2011. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2011.

Sharp Edges and Other Lessons is a collection of stories that share a loose thematic link suggested by the title. The various "lessons" encountered by the characters here represent the ways people respond to the many currents and fluctuations roiling beneath the surface of everyday life. / by Michael Gray. / Thesis (M.F.A.)--Florida Atlantic University, 2012. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2012. Mode of access: World Wide Web.

This work is comprised of altered, found familiar objects. They are stacked and are covered with Egyptian paste, then fired in a burn-out kiln. Through transformation by fire the objects become post-apocalyptic relics. Raised in an Irish Catholic alcoholic home by a raging perfectionist mother, the kitchen was a battlefield - the home, a place of great drama. After dish throwing and frying pan swinging, dinner was precisely laid out on a clean white tablecloth - order covering disorder. The failed domestic environment of my childhood informs this body of work and is inflected by recovering psychological states. Empowered through feminist critique and filtered through my study of Jungian psychology, these objects enact a precarious balance between the known and the estranged. Through the process of transmutation, a cathartic space is generated, giving space for viewers to potentially confront their memories of home. / by Judith Gehrmann. / Pagination goes from iv to 17. / Thesis (M.F.A.)--Florida Atlantic University, 2011. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2011. Mode of access: World Wide Web.