Filozofická fakulta Univerzity Karlovy v Praze Ústav Dálného východu Diplomová práce Jakub Otčenášek Kou Qianzhi (365-448) a reforma taoismu za dynastie Severní Wei Kou Qianzhi (365-448) and the Daoist Reform during the Northern Wei Dynasty Vedoucí práce: Olga Lomová 2011 Konzultant: Jakub Hrubý Poděkování Chtěl bych poděkovat Olze Lomové za vstřícnost, ochotu a cenné rady při vedení mé práce. Můj velký dík patří také mým francouzským pedagogům z École Pratique des Hautes Études (EPHE) v Paříži - Sylvii Hureau za pomoc s rešerší v buddhistických textech, Alainu Arraultovi za další rady a především Johnu Lagerweyovi, který mi pomohl proniknout do jazyka studovaného textu. Pobyt na EPHE mi byl umožněn studijním programem Erasmus. Svým rodičům děkuji za podporu při studiích. Prohlášení Prohlašuji, že jsem diplomovou práci vypracoval samostatně, že jsem řádně citoval všechny použité prameny a literaturu a že práce nebyla využita v rámci jiného vysokoškolského studia či k získání jiného nebo stejného titulu. V Praze dne 5. září 2011 Abstrakt Diplomová práce Kou Qianzhi (365-448) a reforma taoismu za dynastie Severní Wei analyzuje dílo Laojun yinsong jiejing 老君音誦誡經, připisované Kou Qianzhiovi 寇謙之, který v letech 424 až 448 působil na dvoře čínské dynastie Severní Wei jako hlava taoistické tradice nebeských...

The dissertation focuses on the texts of a religious movement known as Tianshidao (the Way of the Celestial Masters) from the 2nd to the 5th century CE. Tianshidao is presented as a multifaceted tradition that should not be reduced by a predefned essence or a teleological vision of history. Instead of reconstructing one coherent cosmology, the author interprets the texts as representing various alternative cosmologies. They are compared according to the theory of cultural bias of Mary Douglas, in terms of grid and group. Special atention is paid to the employment of the bureaucratic imagery and the representations of time which are interpreted in the context of the cultural bias and the various modes of relationship towards the institutions of Tianshidao and the state. The author also analyses the millennialist character of the movement which was noted by previous research and distinguishes between various types of millennialism. Key words Tianshidao, Daoism, Early-Medieval China, cosmology, millennialism.

Title: Taoism and health: selected aspects Objectives: The first objective of this thesis is to present and interpret Taoist way of thinking with a special emphasis on its teachings regarding health. The second objective is to presents selected aspects of this 'spiritual philosophy' and its health benefits (nutrition, fasting, breathing and physical exercises and others) and tests them against currently available scientific studies. The prolonged goal would be to point out methods which complement the techniques and processes of western health care systems. The third objective examines the legislative situation in the Czech elementary education system regarding the health education topic and beneficial effect of Taoist methods to use. Methods: This master thesis is purely theoretical, focusing on the analysis of primary and secondary source material with continuous and subsequent synthesis. These methods have been complemented with compilation and comparative methods. Results: Based on the available source material, the Taoist way of thinking has been presented including his approach to health. Furthermore, traditional Taoist health promoting practices which were also an inspiration for Traditional Chinese Medicine (TCM) were being discussed. Based on scientific articles and studies, benefits and...

The thesis "Taoism in European terms at the beginning of 21st century. Presentation of this phenomenon in Christian perspective." Taoism as the original Chinese philosophical and religious system, which deeply influenced Chinese Buddhism and Confucianism, is presented in this thesis. The main principles of Taoism and Taoist writings are introduced. Taoism penetrates into different areas of contemporary European culture; its influence is evident in science, literature and the contemporary lifestyle. Special emphasis is placed on traditional Chinese medicine and Taoist exercises that are significantly beneficial to Westerners. In contrast, the risk is found in uncritical accepting and simplifying of selected aspects without a deeper understanding of the principles of Taoism and its tradition. These benefits and risks are documented by publications of Christian theologians. The difference in Eastern and Western thinking is the cause of the difficulty of mutual understanding of both cultures. Keywords Taoism, Chinese philosophy, Chinese traditional medicine, healing, Tai Chi, Christianity

Title: Letting go and detachment in the Tao Te Ching and in the works of Meister Eckhart Type: Diploma thesis Author: Alena Michutová Supervisor: doc. Pavel Hošek, ThD. Site: Neratov Year of solving: 2013 Pages: 120 This diploma thesis is divided into five chapters. The first one deals with goals and methods of the work and the fifth chapter is the conclusion. The theme itself is divided into three chapters: (2) theme of detachment in the Tao Te Ching, (3) theme of detachment by Meister Eckhart, (4) comparison of the detachment in the Tao Te Ching and in the works of Meister Eckhart. The first part is concerned with the character of Laozi, the book of Tao Te Ching and its position in the Taoist canon. Then the basic terms of the Tao Te Ching, Tao, wu-wei and sameness, are examined. Consequently, the necessary analyses, which is interspersed with numerous citations from the Tao Te Ching and also from the secondary literature, follows to approach the topic "detachment in the Tao Te Ching". In the end, I briefly outline, how the idea of detachment has been devepoled in Taoist praxis from the very beginning up to the present time. The similar method for the topic of detachment by Meister Eckhart has been chosen - at first I deal with the character of Meister Eckhart, then with his Latin and German...

Isang Yun and his works for oboe is a title of this master thesis. It introduces a personality of a Korean composer Isang Yun and it focuses on his works for oboe. The first chapter contains resumé of principal moments of the composer´s life. The next chapter briefly touches characteristics of traditional Korean music, how the western culture is displayed in the Korean music, what is its influence on the Korean music and their inosculation into each other. The following chapter has an aim to introduce the biggest inspirational element in Yun´s life - the philospophy of Taoism. The fourth chapter describes a compositional style of Isang Yun in which elements of both different cultures combine in a unique way. In this chapter one fractional subchapter is also introduced where an insight into a few compositional techniques of the composer and an approach of audience to Yun´s music can be found. Final chapter contains analysis of eight compositions, which Isang Yun wrote for oboe Piri, Doppelkonzert for oboe and harp, Inventionen, Rondell, Images, Quartett for oboe and strings, Bläserquintett and Bläseroktett.

My dissertation thesis seeks to explore some specific social aspects of the dialogue between traditional Chinese art and thinking and Czech art scene after the February1948, when the Communist party took power in former Czechoslovakia. I am mainly interested in the problematic of inspiration from traditional Chinese calligraphy and Daoist philosophy on Czech painting, visual poetry and literature in the 1950s and 1960s. I will argue that the appropriation of selected Chinese philosophical and artistic themes helped Czech artists, working under the communist repression, to express their innermost human emotions in relation to home, culture, freedom, and one's artistic and human destiny. The communist regime meant to many artists the end of their official artistic career. Life in seclusion outside the main political and social streams became for some of them an opportunity to display pent-up feelings of affinity with the life stories of the ancient Daoist thinkers. In this context, focus is primarily placed on an analysis of several distinctive visual and literary works by Czech leading artists of the period, especially on the selected works by the visual artists Emil Filla, Jiří Kolář, Vladimír Boudník, Jan Kotík or Zdeněk Sklenář and the novelist Bohumil Hrabal (1914 - 1997) and his world famous...