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Georg Philipp Telemann als Klavierkomponist ...Schmuck, Käte Schaefer, January 1934 (has links)
Inaug.-Diss.--Kiel. / Lebenslauf. "Thematisches verzeichnis der Klavierwerke Georg Philipp Telemanns": 38 p. laid in. "Literatur": p. 66-68.
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Das Konzert in den Orchestersuiten Georg Philipp Telemanns mit einer Bibliographie der Orchestersuiten.Büttner, Horst. January 1935 (has links)
Inaugural-Dissertation-Leipzig. / Lebenslauf. "Bibliographie der Orchestersuiten": p. 76-86, "Schriftenverzeichnis": p. 87-88.
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Georg Philipp Telemann als Klavierkomponist ...Schmuck, Käte Schaefer, January 1934 (has links)
Inaug.-Diss.--Kiel. / Lebenslauf. "Thematisches verzeichnis der Klavierwerke Georg Philipp Telemanns": 38 p. laid in. "Literatur": p. 66-68.
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Telemanns Frankfurter Kantatenzyklen /Jungius, Christiane. Jungius, Christiane. January 1900 (has links)
Zugleich: Diss. phil. I Zürich, 2006 u.d.T.: Georg Philipp Telemanns Kantatenschaffen als Director Musices in Frankfurt am Main (1712-1721). / Register. Literaturverz.
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Telemanns Frankfurter KantatenzyklenJungius, Christiane. January 1900 (has links)
Thesis (doctoral) - Universität, Zürich, 2006. / Includes bibliographical references and indexes.
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Trompeten, Hörner und Klarinetten in der in Frankfurt am Main überlieferten "Ordentlichen Kirchenmusik" Georg Philipp Telemanns /Rettelbach, Simon. January 2008 (has links)
Dissertation--Frankfurt am Main--Goethe-Universität, 2006. / Bibliogr. p. 225-243.
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The Essercizii musici, a study of the late baroque sonataVolcansek, Frederick Wallace. January 2001 (has links)
Thesis (M.M.)--University of North Texas, 2001. / Includes bibliographical references (p. 101-104).
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Trompeten, Hörner und Klarinetten in der in Frankfurt am Main überlieferten "Ordentlichen Kirchenmusik" Georg Philipp TelemannsRettelbach, Simon January 2006 (has links)
Zugl.: Frankfurt (Main), Univ., Diss., 2006
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Telemanns Frankfurter KantatenzyklenJungius, Christiane January 2006 (has links)
Zugl.: Zürich, Univ., Diss., 2006
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Italian Influences in the Corellisirende Sonaten of TelemannChang, Young-Shim 05 1900 (has links)
George Philipp Telemann is often thought of an experimenter with many nationalistic styles during the course of his career. His Corellian Sonatas demonstrate this facet of his work in their employment of Corelli's manner, and the cultivation of the Italian style. Telemann's Corellian sonatas are stylistically close to those of Corelli, and they do not appear to vary widely from the church and chamber sonatas of Corelli; Telemann fused the two sonata types in that dance elements are found in the church sonatas and the abstract elements of the church sonatas are inserted into the chamber sonatas. In addition to the amalgamation of internal elements, Telemann also experimented with the external features, such as the alternation of tempo and the four movement stereotype.
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