Detailed manual for processing of digital files - from electronic capturing of image, through image formats to the pre-press.

Photgraphical behaviour and technology

My final diploma thesis represents the theme "Image Seen by Touch." with subtitle "Blind Art Focusing on Photography." I define art for blind people and its history focusing primary on the contemporary art and its perception. My interest is how to transform Art for blind people and its technical parameters. I focus on authors dealing with such artworks and their contribution to the Blind Art. My aim is to find out whether I can succeed as a photographer for the blind people. It is a kind of photography that cannot be seen but can be touched - i.e. visual medium.

In my work, I would like to close the term "Late photography". Personally, I believe that since the seventies we in the works of many artists find similar documentary strategies that relate to the concept of "Late photography". Currently, there is a certain exhaustion of this concept. For these reasons, I would like to focus on finding artists who suggest a new direction in photography while benefiting from a "photojournalist".

Work solves the problem of long-term storage DOP želatinostříbrného positives. The first part focuses on identifying material composition based on the description of the production and manufacturing process. In the second part defines the factors influencing climate in the depository, description and causes harm DOP želatinostříbrného positives and fundamental questions of the issue of preventive care. Work is a study of contemporary literature technological DOP in the range of 1880-1950 years, the issue of preventive care is handled by specialized research studies domestic and foreign literature, between the years 1970-2015. Processed were books, articles in professional periodicals, anthologies of texts, and grant research reports, guidelines and standards. The result is putting conditions for long-term storage DOP, current recommendations for long-term storage DOP želatinostříbrných positives by comparing the approaches of professional institutions focusing on preventive care for the photography.

In my thesis I focused on the topic of the night in the Czech fine arts from the 19th to the 21st century. The aim of my work is not conduct a survey of the issues as a whole, it does not make efforts to be a historical outline, but the goal is to present a different conception of the night in the works of some selected artists. This text is concentrating on the works of artists who design the night in the landscape and urban sceneries. In every night scene we can see the light, either natural or artificial, which is the bearer of artist´s imaginings. The work goes from the introduction of the light and darkness symbolism throughout the era of the human history and physical essence of the light to the presentations of individual artists who reflect the night with natural kinds of light or the artificial ones.

Thesis bearing the name ?Boarders of Contemporary Documentary Photography? is focused on specific development, which underwent foreign documentary photography for about last two decades. The work is divided into three separate chapters, each of them deals with a different topic. The first chapter deals with the process of integration of documentary photography in an artistic context. The following chapter provides detailed reports on a new trend in documentary photography, which is called conceptual documentary photography. The third part is devoted to the remarkable personality of contemporary documentary photography - Allan Sekula. His photographic and closely related theoretical work is so specific that it is allocated a separate area.

Research on the phenomena pareidolia and its relation to simulacra.

Diploma work focuses on the use of a photocopy process as an art form.

Jak se mohou navzájem ovlivnit dvě naprosto odlišná média, jako jsou fotografie a psaní? Tato práce si klade za cíl odpovědět na tuto otázku. Hlavní myšlenkou této práce je určit vztah mezi poezií a fotografií. Pár vybraných fotografií poslouží jako příklady a budou podrobeny rozboru. Práce je rozdělena do pěti kapitol, přičemž první část tvoří Úvod, druhá kapitola podává základní shrnutí obou médií. Třetí kapitola se zabývá rozborem prací japonského fotografa Masaa Yamamota. Čtvrtá kapitola rozebírá několik vybraných příkladů fotografií, které jsou nahlíženy metaforicky. Poslední, pátá kapitola přináší výsledek zkoumání této práce a shrnutí, jak se navzájem ovlivňují poezie a fotografie v dějinách a v tvorbě.