Thesis (M.Arch.)--University of Detroit Mercy, 2008. / "28 April 2008". Includes bibliographical references (p. [81]).

Thesis (M.C.S.)--Regent College, Vancouver, B.C., 1995. / Abstract and vita. Includes bibliographical references (leaves 94-99).

Can architecture live in the passage of real time and memory? It has occured to me that movement must not be limited to action (horizontal and vertical.) For instance, the movement of people, light or objects are not the only consideration. In fact I have overlooked passive motion. Perhaps a design could link both passive and active motion as the design element. The independent African American Filmmaker creates a cinematic experience that lives in layers of time. In the end the film is sustained in the memory of the viewer. / Master of Architecture

Cathedrals today are no longer sites of just religious worship, they must be many things to many people such as tourist attractions, heritage centres, and meeting places. Today, Durham Cathedral in the north-east of England is home to almost 900 people engaged on site, of which almost 700 are volunteers. Add to that number over 700,000 visitors and about 1,700 religious services annually, and a complex image of life within Durham Cathedral begins to take shape. Drawing on 14 months of ethnographic fieldwork between August 2013 and September 2014, this thesis takes a phenomenological approach in exploring the dynamic relationships that exist between a 900-year-old building and those who regularly come into contact with that building. It will consider the complex negotiations that take place between the many parts of the community and the building in a constantly changing environment, and will focus on the role sound, light, time, and space play in the constant challenge of change and negotiation. Finally, it will consider how buildings are not only constructed but are also cultivated through being built and rebuilt, spaces negotiated and improvised, as well as filled with stories and memories. The importance of this research is not just in observing and understanding the types of change and negotiation that occur between a building and those who inhabit it, but also in understanding the altering roles of religious buildings as they cope with the changing demands of running a site of both historical and continuing social, religious, and financial pressures, Durham Cathedral is a place that gives space to differing communities, allowing people to find in the building what they need from the building and as a result of this, Durham Cathedral is not a place in which life happens, it is a place with which life happens.