Treatise (D.M.A.)--University of Texas at Austin, 2002. / Vita. Includes bibliographical references.

Thesis (M.Mus)-University of Natal, Durban, 1978. / Full text available online. Scroll down to electronic link.

Thesis (doctoral)--University of Otago, 1997. / Includes bibliographical references.

This paper attempts to explore the extent to which Rudolph Reti's concepts of melodic and harmonic tonality are useful in describing Debussy's Preludes. It is hoped that this work will provide a basis for the examination and comparison of various other musical compositions, representative of different styles, in terms of tonality. / Thesis (M.Mus)-University of Natal, Durban, 1978.

Thesis (Ph. D.)--Ohio State University, 2007. / Title from first page of PDF file. Includes bibliographical references (p. 56-57).

Thesis (Ph. D.)--Ohio State University, 1977. / Includes bibliographical references (leaves 408-416). Available online via OhioLINK's ETD Center.

Horace H. Work's thesis (M.A.)--Colorado College, 1964. / Typescript. Photocopy. [Ann Arbor] : University of Michigan Library, [1970?] 29 cm. Includes bibliographical references (leaves 72-73).

No description available.

No description available.

Chinese music has one of the longest histories of development of all music cultures of the world. A system of music (theory) was formulated, in its unique way, but is differed fundamentally from its occidental counterpart. The discussion of this thesis focuses on the following two aspects: (1) the observations on those musical and non-musical factors, which had conditioned the course of development of Chinese music and (2) the analysis of selected examples to summarize the tonal structures and modal patterns, particularly, on the modal and modulatory analysis. A comparison of similarities and differences on melodic gesture between Chinese and Western tonal practice is also included in this study.