- About
-
The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 1 to 10 of 10 (0.043 seconds)Spelling suggestions: "subject:"trombones"" "subject:"trombone""
| 1 |
Davis Shuman : a biography /Babbitt, Mark. January 2005 (has links)
Thesis (D. Mus. Arts)--University of Washington, 2005. / Vita. Includes bibliographical references (leaves 45-50).
|
| 2 |
Interpretive performance techniques and lyrical innovations on the bass trombone a study of recorded performances by George Roberts, Mr. Bass Trombone /Yeager, Jonathan K. January 2006 (has links)
Thesis (D.M.A.)--University of North Texas, 2006. / System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Nov. 12, 2001, Oct. 14, 2002, Mar. 31, 2003, and Oct. 17, 2006. Includes bibliographical references (p. 80-82).
|
| 3 |
The return to the slide from the valve trombone by late nineteenth and early twentieth-century trombonists including Arthur Pryor (1870-1942)Everett, Micah Paul. January 1900 (has links) (PDF)
Thesis (D.M.A.)--University of North Carolina at Greensboro, 2005. / Title from PDF title page screen. Includes bibliographical references (p. 91-101).
|
| 4 |
The contributions of Tommy Pederson (1920-1998) to trombone performance and literature in the twentieth century a lecture recital and document /Devlin, Michelle Poland. January 1900 (has links) (PDF)
Thesis (D.M.A.)--University of North Carolina at Greensboro, 2007. / Title from PDF title page screen. Advisor: Randy Kohlenberg; submitted to the School of Music. Includes bibliographical references (p. 40-42).
|
| 5 |
The contributions of Thomas G. Everett to bass trombone repertoire, literature and researchGassler, Christopher J. January 2002 (has links)
Thesis (D.M.A.)--University of North Texas, 2002. / Accompanied by 4 recitals, recorded Apr. 8, 1996, Jan. 27, 1997, Nov. 30, 1998, and June 24, 2002. Includes bibliography of trombone music (p. 44-53); other bibliographical references (p. 54-67).
|
| 6 |
Fred Wesley innovations, styles, and analysis /Cailliet, Claude. Wesley, Fred. January 1900 (has links)
Thesis (D.M.A.)--University of Wisconsin--Madison, 1998. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 220-225).
|
| 7 |
Interpretive performance techniques and lyrical innovations on the bass trombone: A study of recorded performances by George Roberts, "Mr. Bass Trombone."Yeager, Jonathan K. 12 1900 (has links)
Nicknamed "Mr. Bass Trombone" for his role as a prominent, trailblazing recording artist, George Roberts (b. 1928) has often been recognized as redefining the role of the bass trombone in popular music as well as setting new standards for technical refinement and expressive possibilities of the instrument. Through two interviews and a comparison between ten recorded performances by Roberts and corresponding lead sheets, I make observations about Roberts' performance techniques and illustrate various examples of those techniques. The document includes 35 pp. of interview transcriptions.
|
| 8 |
The Contributions of Thomas G. Everett to Bass Trombone Repertoire, Literature, and Research.Gassler, Christopher J. 08 1900 (has links)
Thomas G. Everett's activities as a catalyst for bass trombone repertoire and scholarship are significant in the development of further research in the field, and in the development of new performance repertoire. An examination of Everett's life and musical influences precedes the detailing of his pursuits of new solo/chamber music for the bass trombone. A discussion of Everett's efforts in obtaining new performance repertoire by means of commission or request is followed by an examination of four pieces composed for Everett. The four pieces profiled are Sonata Breve by Walter Hartley, Prelude, Fugue, and Big Apple by Walter Ross, Everett Suite by Ulysses Kay, and 100 Bars for Tom Everett by András Szöllösy. Three of these four pieces, the Hartley, Ross, and Kay selections, are the repertoire for the performance recital portion of this research. Everett's contributions in the area of publication, including details of his Annotated Guide to Bass Trombone Literature are addressed as well as his role as founder of the International Trombone Association (ITA) and the implications of this organization's existence upon the growth of knowledge in the area of trombone pedagogy and performance. Two appendices account for the pieces in which Everett was involved in bringing to the repertoire. A third appendix is an annotated bibliography of Everett's trombone-related periodical publications.
|
| 9 |
The correlation between Doug Elliott's embouchure types and playing and selected physical characteristics among trombonistsWilken, David M. January 2000 (has links)
Although traditional methods of teaching brass embouchure tend to favor a more centered mouthpiece placement, individual differences in facial structure may make a centered placement inefficient for many individuals. Thirty-four test subjects (N = 34) who volunteered from a mid-sized, Midwestern university school of music, a mid-sized Midwestern high school, and professional and semiprofessional trombonists from around a Midwestern state were tested for an efficient embouchure and then photographed while playing specific pitches into a transparent plastic mouthpiece. Additionally, each subject filled out a brief survey and had various facial characteristics photographed. Statistics from this data suggest that the three basic types defined by Doug Elliott, Very High Placement Type, Medium High Placement Type, and Very Low Placement Type, are accurate. Evidence also suggested that airstream direction and the use of an embouchure motion is dependant on vertical mouthpiece placement. The angle of the airstream also changes according to the register being played. It was also determined that certain physical characteristics, most notably lip protrusion, suggested that a subject will play with a specific mouthpiece placement. / School of Music
|
| 10 |
Epidemiologic Survey of a Unique Type of Task-Specific Dystonia in Brass MusiciansWallace, Eric (Trombonist) 12 1900 (has links)
Brass musicians are known to experience a performance problem that is sometimes called valsalva maneuver or musical stuttering. This problem is known to cause difficulty starting a first note, tension in the throat, and tightness in the chest. Unfortunately, the research literature lacks sufficient details for evidence-based interventions. Therefore, the purpose of this study is to characterize and define this performance problem as experienced by brass musicians. An online epidemiologic survey was developed and deployed to collect data from brass musicians who have experienced this problem in their own playing. The survey was designed to acquire data in order to characterize and define the phenomenon through a biopsychosocial framework. The survey was also designed to assess whether this problem aligns with Altenmuller's heuristic model of motor control disruptions. A diverse group of brass musicians (n = 252) participated and offered relevant details for characterizing and defining this problem. Analysis of characteristic data suggests this problem is not a form of musical stuttering. Considering these data through Altenmuller's model suggests that this problem is experienced as a spectrum of motor disruptions that can develop into a unique type of musician's dystonia. While additional research is warranted, the results of this study are applicable to brass musicians, brass pedagogues, music educators, and performing arts health clinicians.
|
Page generated in 0.05 seconds