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1	Man eller mus? : En studie i representationer av maskulinitet och dandyism i Alexander Golovins porträtt av Mikhail Tereshchenko. Ström, Maria January 2015 (has links) The purpose of this study is to analyze the representation of masculinity of Mikhail Tereshchenko as painted by Alexander Golovin at the beginning of the 20’th century, and to connect masculinity to the values of dandyism. An iconological analysis, in the style of Erwin Panofsky, and literary research resulted in various findings. Dandyism could partly be seen as a reaction against the normative masculinity, or hegemonic masculinity stated by R.W. Connell. Both Tereshchenko and Golovin were in their everyday life surrounded by highly regarded dandies and it is likely that they were influenced by the sprezzatura, esthetics and values of dandyism. The portrait reveals the wealth and status of Tereshchenko through the clothing and artefacts visible in the painting. These objects correspond with the importance of the ‘detail’ in dandyism. Golovin and Mir Iskusstva is a great example of how artists as a social group nourished dandyism in ways other than outer appearance. Dandyism Dandy Maskulinitet Golovin Tereschenko Connell Baltiska utställningen
2	KM II : En analys av Malmö konstmuseums satellitverksamhet som extra-institutionell praktik Rosenkvist, Adam January 2022 (has links) KM II. An analysis of Malmö Art Museum’s satellite space as extra-institutional practice maps the activities of the hitherto unexplored satellite exhibition space KM II, including the 14 exhibitions that were shown in KM II’s two spaces in Malmö’s harbor and in the suburb Rosengård. The essay contributes new perspectives on extra-institutional exhibition practices by analyzing KM II as an actor on the then much discussed art scene of Malmö, during the years 1992 to 1994. The essay also describes trans-local artistic connections over the Baltic Sea, pri- marily between Malmö and Hamburg. I describe the extra-institutional practice of KM II through the model “The Public as Alternative” (Det offentliga som alternativ). The practice created favorable conditions for extensive and often paid artistic work in an unconventional exhibition space, which also made KM II meet the strained situation on the local art scene, partly caused by the financial crisis of 1992. Last, the essay examines the complex relationship between the exhibitions, the institution, the place, and the audience, that made the extra-institutional status of KM II dissolve at Rosengård, during a time that can be described as a transitional phase in museum education. Malmö Art Museum KM II Malmö extra-institutional exhibition studies Actor-Network Theory Göran Christenson trans-local Michael Elmgreen Malmö konstmuseum KM II Malmö extra-institutionell utställningsstudier Actor-Network Theory alternativa rum utställningen som rumslig konstruktion Göran Christenson Rosengård translokal Anneè Olofsson Annika Eriksson Ann Lislegaard Michael Elmgreen Humanities and the Arts Humaniora och konst Art History Konstvetenskap

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Man eller mus? : En studie i representationer av maskulinitet och dandyism i Alexander Golovins porträtt av Mikhail Tereshchenko.

KM II : En analys av Malmö konstmuseums satellitverksamhet som extra-institutionell praktik