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Texte remanié de: Diss.--Köln, 1997. / Bibliogr. p. 263-288. Notes bibliogr.

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The French have seen Louisiana in many different lights: as pictured in the accounts -- sometimes dry and matter-of-fact, sometimes brazenly mendacious -- of the early explorers; as an Eldorado which drew Parisian speculators to the bank-windows of the shrewd Scot, John Law; as a worthless stretch of marshy lands handed over to Spain, and then sold to the United States by Napoleon; as the gorgeous country of Meschacebé, peopled by Chateaubriand’s Indians, birds, bears, and fragrant trees; as the home of French colonial memories, and the refuge of a serene and picturesque culture sought by a few modern travelers in the United States who refuse to be content with visiting New York, Philadelphia, Chicago, and Hollywood. Louisiana of these French records is the subject of this dissertation. There is little to be added to the detailed, thorough, and well-documented histories of Louisiana which have already been written in French and English. Therefore, our chief purpose here was not geographical or historical but psychological and literary. It has been to discover how the French people knew or thought of the distant Empire given them in the New World by a few hardy explorers. What was their reaction to this fabulous new province across the Atlantic? Now and then some even of the first of the missionaries or travelers in this strange land who recorded their experiences were found to be sensitive to the “picturesque” of the magnificient landscapes, the rivers, mountains, and boundless prairies -- although this sense of the “picturesque” as is well known, was not greatly developed in the seventeenth century, and the word itself had not yet been borrowed by the French from the Italians. These accounts of the first explorers show that they were inclined to consider the practical aspects of life. The things which interested them were the fruit and grain that the country produced, the animals (the delicacy of their flesh and the warmth of their furs), the gold and precious stones -- or even baser minerals -- that they hoped to find in Louisiana, their Eldorado.

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Orientador: Maria Lídia Lichtscheidl Maretti / Banca: Álvaro Santos Simões Junior / Banca: Francisco Foot Hardman / Resumo: Nossa dissertação se propõe a abordar as cinco narrativas que compõem o livro do Visconde de Taunay intitulado Narrativas militares: cenas e tipos, de 1878, tão esquecido pela crítica e pela historiografia literárias, a partir de alguns aspectos que justificariam a sua natureza transitiva. Tal transitividade se explica tanto pelo caráter "inorgânico" das narrativas (em sua mescla de vários gêneros), quanto pelo substrato histórico (o Brasil da guerra contra o Paraguai) que as viu nascer. Desse modo, além da reflexão sobre o hibridismo que conforma cada um dos textos - o que leva à análise do modo como os elementos narrativos se organizam e se conjugam, este trabalho se propõe também a refletir sobre a questão da guerra como pano de fundo histórico gerador das estórias e sobre os conflitos morais que, subjacentes a cada uma delas, apontam para as circunstâncias históricas do Brasil do fim do século XIX. Pretendemos também fazer uma edição comentada do livro, com a sua correspondente atualização ortográfica, com vistas a uma eventual publicação. / Résumé: Notre dissertation se propose à faire l'abordage des cinq récits qui composent le livre du vicomte de Taunay intitulé Narrativas militares: cenas e tipos, de 1878, tellement oublié par la critique et l'historiographie littéraires, à partir de quelques aspects qui justifieraient sa nature transitive. Telle "transitivité" s'explique tantôt par le profil "inorganique" des récits (dans leur mélange de plusieurs genres), tantôt par le cadre historique (le Brésil de la guerre contre le Paraguay) qui a vu leur naissance. Ainsi, outre la réflexion sur l'hybridité qui conforme chacun des textes narratifs - ce qui mène à la façon dont les éléments narratifs s'organisent et se conjuguent, ce travail se propose aussi à réfléchir sur la question de la guerre comme un arrière-fond historique générateur des récits et sur les conflits moraux qui, sous-jacents à chacun d'eux, nous font penser aux circonstances historiques du Brésil de la fin du XIXe siècle. Nous avons aussi l'intention de faire une édition commentée du livre, accompagnée d'une actualisation orthographique, ayant le but d'en faire une publication. / Mestre