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Nietzsche, Deleuze and video artLaw, Sum-po, Jamsen., 羅琛堡. January 2000 (has links)
published_or_final_version / Literary and Cultural Studies / Master / Master of Arts
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Notes to myself /Ragland, Wynne. January 1987 (has links)
Thesis (M.F.A.)--Rochester Institute of Technology, 1987. / Typescript. Includes bibliographical references (leaf 17).
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The Development of a Definition and Applied Evaluation Criteria for Psycho-Narrative Video ArtSadlowski, Gail 05 1900 (has links)
This thesis is concerned with three problems. The first is that of distinguishing and defining one category of video art. The second is developing criteria for the evaluation of works in this category. The third problem is the application of these criteria to a new psycho-narrative video art piece created by the author as well as two pieces by other artists. This paper examines the use of film and video as an art form, focusing on specific influences affecting the evolution of psycho-narrative video art. Definitions for video art and psycho-narrative video art are developed. Descriptive criteria and three critiques are used to justify the conclusions. A concluding artist statement presents the personal view of the author.
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Environmental video : personal forms for television's public contextGrabill, Elliott Vincent January 1981 (has links)
Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1981. / MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH. / Includes bibliographical references (leaf 60). / Broadcast television is a fixture in our lives, a utility comparable to the telephone or the electric current running into our homes. In developing an artistic statement in the video medium, the artist must take this precedent for television's usage as a context against which to model his or her expression. In my work, as documented by this thesis, I address the need to discover personal forms for expression designed for an intimate one- way , communications medium that is evolving towards greater viewer response and participation. I present my thesis in three parts: 1. The script and working charts used for the production of "Performance in Color Video and Live Time." This twelve minute videotape is a talk on environmental art as it applies to the medium of television and its audience that I give as a video performance. It is my first work in video, produced in October, 1979, at M.I.T., and serves as background for the work of this thesis. 2. A written documentation of "Live Time/Video Time," my thesis exhibition presented December 8 and 12, 1980, at the Center for Advanced Visual Studies. It is described first in general terms as a sculptural environment occurring in time and space. Then, individual tapes and events are discussed, tracing an evolution that leads towards an objective of "open theater." 3. The generation of further work and speculation into the use of the television medium as an extension of my thesis work and outgrowth of the work of those artists and writers who are influencing me. I include a proposal of a project for public broadcast television I plan to accomplish within six months of the submission of this thesis. / by Elliott Vincent Grabill, Jr. / M.S.V.S.
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The fall : a multi-media work for three chamber ensembles, three conductors, and large screen video /Carrick, Richard David, January 2001 (has links)
Thesis (Ph. D.)--University of California, San Diego, 2001. / Vita. For flute (doubling piccolo), oboe, E♭ clarinet (doubling B♭ clarinet), trumpet, trombone, piano, organ (doubling synthesizer), 2 violins, viola, violoncello, and double bass, with 3 conductors and video projection. Includes performance instructions and frames from the video printed preceding the score.
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The gathering tiger, rice, orange, fish /Saxena, Garima. January 1900 (has links)
Thesis (M.F.A.)--The University of North Carolina at Greensboro, 2008. / Directed by Amy Lixl-Purcell; submitted to Dept. of Art. Title from PDF t.p. (viewed Aug. 27, 2009). Includes bibliographical references (p. 10).
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Mudras /Kapuscinski, Jaroslaw, January 1997 (has links)
Thesis (Ph. D.--Music)--University of California, San Diego, 1997. / Vita. Consists of the musical score to a soundtrack for a video piece integrating sounds and images of hands and arms. Musical material is for one mezzo soprano (overdubbed to achieve two primary voices), piano, and tape of electronic and concrete sounds. Also includes color illustrations of how the hands are painted and posed in some of the video sequences. Includes extensive commentary on the piece in English.
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A descriptive evaluation of a video art productionMeiron, David. January 1992 (has links)
Thesis (M.S.)--Kutztown University, 1992. / Source: Masters Abstracts International, Volume: 45-06, page: 2716. Typescript. Accompanying videorecording, "Truth" : a video art piece, cataloged separately. Includes bibliographical references (p. 27-28).
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Recording the flame : woodfired pottery /Fox, Ethan Alexander. January 2002 (has links)
Thesis (M.F.A.)--University of Iowa, 2002. / Typescript. Includes bibliographical references (leaf -14).
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Toward a theory of video art /Park, Christy Sophia January 1980 (has links)
No description available.
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