Diss.--Universität Mainz, 1990.

Texte remanié de: Dissertation--Fachbereich Geschichtswissenschaften--Berlin--Freie Universität, 2001. / Bibliogr. p. [172]-187, Index p. [189]-195.

Based on Thesis (Ph. D.)--University of California, 1937. / Bibliography: p. [289]-304.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1975. / Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1972. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Diss.--Universität Dortmund, 2000. / Contient des textes en moyen haut allemand. Bibliogr. p. 153-159.

Texte remanié de: Th. 3e cycle--Paris 10, 1984. / Bibliogr. p. 19-28. Index.

Texte remanié de: Th. doct.--Litt. française--Paris 3, 1997. / Bibliogr. p. 591-617. Index.

Au même titre que Victor Hugo pour la littérature ou que Pasteur, la Troisième République accorde à Camille Saint-Saëns une consécration officielle qui l'érige en compositeur reconnu et académique. Ces honneurs posent le problème de la place de l'artiste dans la Cité républicaine et introduit la question des liens entre l'homme et le pouvoir. Dès lors, il s'agit de savoir comment Saint-Saëns peut prétendre au titre de compositeur national. Trois axes permettent de répondre : les rapports à la Nation, à la République et à la France. / The French Third Republic officially commemorates Camille Saint-Saëns in a similar manner to Victor Hugo or Louis Pasteur. The honours Saint-Saëns receives question the position of the artist in the Republican City and his relations with the power. Three lines of analysis must be followed in the perspective of the claim of the making of Saint-Saëns as a national composer: the ways with the French Nation, with Republican identity and finally with France.

This research investigated the use of language in the texts of the promotional brochures created for the tourist industry. The selected printed materials for the study were used in advertising the five countries most severely affected by the Asian Tsunami in 2004 (Thailand, Indonesia, Sri Lanka, India, and the Maldives). The focus of the analysis was on the two sets of brochures of the five selected countries published by the UK’s leading travel agencies – Thomas Cook, Thomson and Kuoni before and after the disaster. The contrastive discourse analysis was applied in order to investigate the similarities and differences of linguistic features within the texts both between the two sets for each country as well as between the five selected countries. The overall results of the text analysis from the five selected countries have shown significant changes in language use. The investigation revealed that in the post-disaster set of brochures the number of destinations was broadened and their descriptions were made more vivid. The post-disaster texts represented more efforts in developing a wider range of tourism attractions and activities in order to expand the markets and increase the number as well as type of potential future tourists. The information derived from the questionnaire has revealed the potential tourists’ sensitivity to language used in promotional brochures. The results demonstrated that most respondents were aware of the change of language used before and after the Tsunami. The findings validated the hypothesis that the role of language within tourism advertising is as significant as the role of images. This has a major impact on individuals’ choosing their next holiday destination since many potential tourists still base their holiday decision-making on holiday brochures. The research has found that the role of language plays a significant role in tourism advertising representations and also has a major part as one of the marketing tools in tourism promotional strategy.