Thesis--Kgl. Christian-Albrechts-Universität zu Kiel. / Cover title. Vita. Includes bibliographical references.

Inaug.-diss.--München. / "Literatur": p. [77]-79.

Zugl.: Jena, Univ., Habil.-Schr.

Inaug.-Diss.: Philosophisch-historische Fakultät: Basel: 1967. Contient des textes de C.M. Wieland et J. Mann. _ Bibliogr. p. 133-135.

CM. Wieland created a style of writing which was new for the German novel of the late 18th century. It is the aim of this thesis to show the various means Wieland used in order to present to the reader works of psychological, educational and political content which would be read, not only for that content, but also for pleasure. Mainly on the basis of two of his major works, Die Geschichte des Agathon, (1767), and Der goldene Spiegel, (1772), but also on some theoretical and critical works by other authors, some of the more important features of Wieland's narrative style are analysed and illustrated with examples. The first work to be dealt with, Die Geschichte des Agathon, was written for the upper and upper middle classes. Turning directly to the reader, Wieland, following the trends of his times, often addresses the female reader endeavouring to further her education. Moreover, in order to be pedagigical without being pedantic, Wieland assumes many roles beside that of author. We find him donning the mask of editor, translator, commentator and sometimes even that of an imaginary reader engaged in dialogue with the author. Asking rhetorical questions and voicing different opinions according to the role he plays at the moment, he taunts the reader, who is thus forced not only to take a position toward the action presented by the author, but also to pass critical judgement on and give thoughtful appraisal to ideas which underlie it. Innumerable humourous references to works of other writers entice the reader to read these works and thereby broaden his knowledge, round out his education, making reading more enjoyable. The other novel, Der goldene Spiegel, addresses itself to another class, that of princes and other rulers, since it deals with government. Its aim is the education of princes. Instead of conversing directly with readers, as in Agathon, Wieland has here chosen for his medium a narrative within a narrative. The characters of the various narrators serve for the most part, the functions which Wieland elsewhere discharged in his many disguises. So here, also, questions are asked and commentaries given in the form of conversation between the narrators, but in fact aimed at the reader, who may resemble the characters of either narrative. Wieland himself plays several roles. The most important is that of the philosopher Danischmend in the introductory narrative. He also gives comments and explanations, often of a humourous nature, by introducing various translators who in the course of centuries have translated the 'work' into several languages and commented on it. Each novel is of a different tenor. In the Agathon, where he is speaking to his own class, Wieland seems to be less restrained, whereas in the goldene Spiegel, since it pertains to matters of the great of this world, he uses a more subtle approach to make his own ideas more palatable without being offensive. The enjoyable and intelligent alternation among the disguises of his didacticisms serves to bring the reader closer to the problems which Wieland has at heart without presenting mere facts. The reader is so skilfully coaxed that the conclusions at which he will arrive will be at least similar to those aimed at by Wieland. That the reader may reach a high level of insight and humanity is the immanent goal of the novels. Added to his pedagogical purpose are his fluent style and mastery of language which give Wieland's novels an air of freshness and liveliness unknown to other German novels of his time. / Arts, Faculty of / Central Eastern Northern European Studies, Department of / Graduate

Zugl.: Oslo, Universiẗat, Diss., 2006.

This dissertation offers a re-evaluation of the role of the imagination in Jean- Jacques Rousseau’s 'Emile: or On Education' (1762) and Christoph Martin Wieland’s 'Geschichte des Agathon' (1794). My central claim is that both novels develop a pedagogy of the imagination in order to overcome the dilemmas of Cartesian dualism, that is, to form a beautiful soul in whom sensuality and reason, the body and the spirit, coexist in harmony. I demonstrate that both texts highlight the important but potentially damaging role played by the imagination in the development of religious thought, moral sentiments, and sexuality. The texts suggest that while a malformed imagination results in materialism, egotism, libertinism, and despotism, a well-formed imagination provides the foundation for natural religion, cosmopolitan enthusiasm, sentimental love, and a just political constitution. Consequently, I argue that for Rousseau and Wieland, harnessing the power of the imagination becomes the key to reconciling human nature and civil society. In addition to elucidating the role of the imagination in 'Emile' and 'Agathon', this dissertation also contributes to an understanding of the intellectual affinities between Rousseau and Wieland more generally. In preparation for the comparative reading of 'Emile' and 'Agathon', I survey Wieland’s private and public responses to Rousseau and contend that although the two authors differ significantly in their narrative and philosophical approach, they nevertheless share similar moral and political ideals. Both authors acknowledge the ability of the imagination to drive a wedge between the individual’s natural inclinations and moral duties, causing fragmentation of the self and society in turn. Yet the imagination, the motor of cultural progress, is not only the source of man’s alienation, it is also the remedy for his dividedness. If properly harnessed, the imagination can cease to be the cause of human depravity and become the basis of peaceful human relations, both at the level of the individual and that of society as a whole. In conclusion, I propose that the role of the imagination in forming the beautiful soul has consequences for the collective, and that we can read the moral constitutions of Emile and Agathon as negotiating the possibilities of various political constitutions, including that of a democratic state. / Thesis (Ph.D, German) -- Queen's University, 2012-10-15 17:47:42.944

Habilitationsschrift--Jena--Friedrich-Schiller-Universität. / Bibliogr. p. 537-548.

Thesis (Ph. D.)--Universität Hamburg, 1970. / Vita. Includes bibliographical references.

This thesis follows on the Bachelor's thesis dedicated to those aspects of origins and functioning of Wagner's festival in Bayreuth, which are seen as links to the ideological ambiance of the Third Reich most often. This thesis examines the development of the same issue in the period after the end of World War II. The objective of this thesis is to survey the post-war development of the Bayreuth festival, personal contacts between the heirs of Wagner's legacy with representatives of the Third Reich or the sincerity of "denazification" of Bayreuth in the 50s. The thesis summarizes Wagner reflection from 1945 until the end of era of Winifred Wagner in 1980.