William Walker's expedition should be a fertile source of examples of such incipient dependency. This is because that expedition was grounded in the political desires of Manifest Destiny and the pragmatic economics of a cross-isthmus connection between the Atlantic and Pacific Oceans during the crucial years just before the U.S. Civil war. Walker's actions caused a war in Central America, brought the United States and England to the brink of war, effected a significant economic relationship, and influenced diplomatic relations between Nicaragua and the U.S. for years afterward. Because of these various actions and reactions, this episode in inter-American relations provides instances of many of the basic elements of the putative dependency relationships alluded to above. There were governments seeking economic advantage, businessmen seeking profitable investments, trade treaties negotiated, and military force used. It was a brief and intense period when economic interests were ultimately controlled by policy decisions.

abstract: The Legacy of the Filibuster War: National Identity, Collective Memory, and Cultural Anti-Imperialism is a dissertation project analyzing how the Filibuster War becomes a staple for Costa Rican national identity. This work presents several challenges to traditional theories of modernization in the creation of nationalism. By focusing on the development of cultural features defined by the transformation of collective memory, this project argues that national identity is a dynamic process defined according to local, national, and international contexts. Modernization theories connect the development of nationalism to the period of consolidation of the nation-state, usually during the late nineteenth century and early twentieth century. The Costa Rican case demonstrates that, while modernization coincides with the creation of symbols of official nationalism, the Filibuster War became a symbol of national identity beginning in the 1850s, and it has been changing throughout the twentieth century. Threats to sovereignty and imperialist advances served to promote the memory of the Filibuster War, while local social transformations, as the abolition of the army and internal political conflict forced drastic changes on the interpretation of the war and the establishment of a national narrative that adjusts to social transformation. / Dissertation/Thesis / Ph.D. History 2013

In his Southern Harmony collection, William Duckworth extracts existing material from shape-note hymns found in William Walker's 1835 publication A Southern Harmony and Musical Companion. He then applies minimalist and postminimalist processes to this material to create innovation choral compositions. This document provides a comprehensive analysis of the methods used to construct all twenty works in Duckworth's collection by tracing the extracted source material through the fabric of the new compositions. This study provides substantial evidence of Duckworth's place as a pioneer of the postminimalist genre. It also provides a discussion on the vocal implications of utilizing shape-note hymns as source material as traditional performances of the genre are typically associated with a unique vocal style.

The decade of the 1850s saw the Texas press separate into two opposing groups on the issue of filibustering. The basis for this division was the personal beliefs of the editors regarding the role filibustering should have in society. Although a lust for wealth drove most filibusters, the press justified territorial expansion along altruistic lines. By 1858, however, a few newspapers discarded this argument and condemned filibusters as lawless bands of ruffians plundering peaceful neighbors. Throughout the decade, the papers gradually drifted from a consensus in 1850 to discord by the date of William Walker's third attempt on Nicaragua in 1858.