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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 10 of 53 (0.039 seconds)| 1 |
An Analysis of the Concert Arias for Soprano Voice Composed by W.A. Mozart in 1770Vann, Jerry Ann 08 1900 (has links)
No description available.
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The mask of the seducer : deceit, disguise, and seduction in the da Ponte operas of Mozart /Guhr, Glenn Dale. January 2002 (has links)
Thesis (D. Mus. Arts)--University of Washington, 2002. / Vita. Includes bibliographical references (leaves 193-200).
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A critical analysis of Peter Sellars's three stage productions of the Mozart/da Ponte operas /Kim, Hak Min, January 2000 (has links)
Thesis (D.M.A.)--University of Texas at Austin, 2000. / Vita. Includes bibliographical references (leaves 150-165). Available also in a digital version from Dissertation Abstracts.
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Studien zu Mozarts Klaviersonaten Formungsprinzipien und Formtypen /Burde, Wolfgang. January 1969 (has links)
Zugl.: Tübingen, Univ., Diss., 1966.
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The Mozart Clarinet Concerto: How Should it be Performed? A Lecture Recital, Together with Three Recitals of Selected Works by E. Bozza, J. Brahms, C. Debussy, J. Françaix, R. Schumann, L. Spohr, and C.M. WeberCooksey, Melvin D. (Melvin Douglas) 12 1900 (has links)
This paper discusses historically and musically significant insights into how the Mozart clarinet Concerto, K. 622, should be performed. The clarinet Concerto was the last wind concerto composed by Mazart and was completed around November 15, 1791, less than a month before his death. Mozart's original manuscript was probably lost. The only extant autograph of the Concerto is a fragmentary one of an earlier sketch dating from 1789.
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Mozart's Piano Concertos, K. 413, 414, 415: their Roles in the Compositional Evolution of his Piano ConcertosGebhardt-Schoepflin, Judith 12 1900 (has links)
The lecture, given on August 3, 1981, consisted of a discussion of the circumstances surrounding the composition of K. 413, 414, and 415; of specific compositional characteristics pertaining to each; and of their relationship to Mozart's later piano concertos. Additionally, their orchestration, effect with string quartet, idiomatic piano writing, considerations for amateurs, and passages for connoisseurs were explored.
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Mozart's dialectic with gender : Le nozze di Figaro and Piano concerto no. 25, K. 503 /Smith, Linda S. January 1999 (has links)
Thesis (D. Mus. Arts)--University of Washington, 1999. / Vita. Includes bibliographical references (leaves 101-104).
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Mozarts Zauberflöte aus der Perspektive betriebswirtschaftlicher Führungstheorien /Jutzi-Fischer, Caroline. January 2005 (has links) (PDF)
Diss. Nr. 3087 Wirtschaftswiss. St. Gallen, 2005. / Enth. auch Notenbeispiele. Literaturverz.
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Die Psychologie der dramatischen Personen in den Da-Ponte-Opern Mozarts unter besonderer Berücksichtigung des Verhältnisses von Text und Musik /Büsch, Sabina. January 2006 (has links)
Universiẗat, Phil. Fak., Diss. 2006--Köln, 2006.
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Mozart's Piano concerto in D minor, K. 466 : analysis and discussion of interpretation and performance /Hsu, Mei-Na, January 1994 (has links)
Thesis (D.M.A.)--Ohio State University, 1994. / Includes bibliographical references (leaves 126-130). Available online via OhioLINK's ETD Center
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