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There are many potential determinants of women?s labour supply including wages, unearned income, human capital endowments, demographic characteristics and family traits. Fertility behaviour, including the number of children and age of children, is also an important factor in women’s labour supply decisions. Many factors which affect women’s decisions on participating in the labour market and hours of work are also key influences on their decisions on starting a family and having a desired number of children. This thesis provides a comprehensive analysis of the determinants of labour supply and fertility behaviour of Australian women. Using cross-sectional data, labour supply models corrected for sample selection bias, and fertility models examining different aspects of family size, the thesis finds that women’s labour supply decisions are largely influenced by their wages and fertility behaviour. Their decisions on completed fertility, starting a family and having additional children are largely influenced by their actual or potential wages.

Includes 2 previously published journal articles by the author: Women in architecture: a personal reflection ; and, "Half the sky, but no room of her own", as appendices. Includes bibliographical references (p. 233-251) An examination of some texts influential in the discourse of Australian architecture in the twentieth century. Explores from a feminist standpoint the gendered nature of discourse in contemporary Western architecture from an Australian perspective. The starting point for the thesis was an examination of Australian architectual discourse in search of some explanation for the continuing low numbers of women practitioners in Australia. Hypothesizes that contemporary Western architecture is imbued with a pervasive and dominant masculinity and that this is deeply imbedded in its discursive constructions: the body housed by architecture is assume to be male, the mind which produces architecture is assumed to be masculine. Given the cultural location of Australian architecture as a marginal participant in the wider arena of contemporary Western / international discourses, focuses on writing about two iconic figues in Western architecture; Le Corbusier, of international reknown; and, Glenn Murcutt, of predominantly local significance.

The centrepoint of this thesis is an action research project, the Maternal Alienation Project (MAP), implemented during 2002 and 2003 in Adelaide, South Australia. Resourced by two government-funded community health services, it was established to improve organisations’ (health, welfare and legal) and systems’ responses to the newly termed ‘maternal alienation’. MAP was situated within a tradition of feminist participatory and action research. It was designed to work on three levels: practice, systems and policy-making, and research. The outcomes, processes and events of MAP at the different levels of its operation are examined in the thesis through the employment of a gendered analysis drawn mainly from materialist feminism and standpoint theories. Post-project interviews and focus groups provided further data to the fieldnotes written throughout MAP, and the project’s formal and informal documents. A recent example of a contested gendered concept, “maternal alienation” was first identified and named in 1999 as a component of gender violence (Morris 1999). It forms part of a spectrum of violence perpetrated in households, and had been identified within domestic violence and child sexual abuse. It is a term for the range of tactics used by mainly male perpetrators, predominantly the mothers’ intimate partners and the children’s fathers or step-fathers, to deliberately undermine the relationship between mothers and their children. The mother-blaming discourses and degrading constructions of mothers conveyed to children and those in the family’s orbit are strongly related to wider socio-cultural constructions of women and mothers. The thesis examines theories of gender, gendered organisations and gender violence. It develops the concept of an abusive household gender regime, characterised by perpetrators’ imposition of a coercive and abusive regime on household members, and particular patternings of gendered relations. Comparisons are made between household and organisational gender regimes, which are also viewed in relation to the local gender order at the time of MAP. It was found that services that lack an analysis of gender are likely to re-inscribe the dynamics of maternal alienation in their responses to families. Language was found to play a significant part in addressing maternal alienation, particularly in developing congruence between language and women’s and children’s “lived” experiences. The principles that were developed were founded on supporting mothers and rebuilding their relationships with children, and making visible the tactics employed by perpetrators, thereby reducing their power to coerce and increasing their accountability. The concept of maternal alienation and MAP itself were attacked by a coalition of men’s rights and Christian Right lobbyists. This compromised the operations of MAP, and of its key supporters, managers of feminist and gender-aware organisations. In many ways these attacks, played out at a macro level, reflected the techniques and dynamics of maternal alienation at a micro level. This thesis raises questions about the strategies that feminist organisations need to develop to more effectively pursue feminist agendas, and to re-invigorate a women’s movement. / Thesis (Ph.D.) -- University of Adelaide, School of Social Sciences, 2008

Includes 2 previously published journal articles by the author: Women in architecture: a personal reflection ; and, "Half the sky, but no room of her own", as appendices. / Includes bibliographical references (p. 233-251) / [xxiv], 252 p. : ill. ; 30 cm. / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / An examination of some texts influential in the discourse of Australian architecture in the twentieth century. Explores from a feminist standpoint the gendered nature of discourse in contemporary Western architecture from an Australian perspective. The starting point for the thesis was an examination of Australian architectual discourse in search of some explanation for the continuing low numbers of women practitioners in Australia. Hypothesizes that contemporary Western architecture is imbued with a pervasive and dominant masculinity and that this is deeply imbedded in its discursive constructions: the body housed by architecture is assume to be male, the mind which produces architecture is assumed to be masculine. Given the cultural location of Australian architecture as a marginal participant in the wider arena of contemporary Western / international discourses, focuses on writing about two iconic figues in Western architecture; Le Corbusier, of international reknown; and, Glenn Murcutt, of predominantly local significance. / Thesis (Ph.D.)--University of Adelaide, School of Architecture, Landscape Architecture and Urban Design, 2003