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Bakalauro darbe analizuojama gyvenimo kelionės samprata, bei kelionės interpretacijos meno kūriniuose, aprangos madoje siekiant geriau paţinti šį reiškinį ir jo pagrindu suprojektuoti meninę eksperimentinę drabuţių kolekciją. Teorinės informacijos analizė atskleidė, jog kelionė neatsiejama ţmogaus gyvenimo dalis. Kelionė visų pirmą prasideda nuo miglotos vaikystės ir tęsiasi iki vėlyvos senatvės. Keliaudami gyvenimu, mes patyriame daug įvairių potyrių iš kurių mokomės, vaikas nuo pat savo gimimo mokosi valgyti, kvėpuoti, jausti, vaikščioti taip mes kiekvienas pradedame savo gyvenimo kelionės pradţią. Ţmogus negali stovėti vietoje, nes jo kelionė per gyvenimą yra trumpa jam reikia pasiekti vis daugiau ir daugiau, tai yra jo gyvenimo kelionės tikslas, kurio jis ir siekia keliaudamas iš vieno gyvenimo tarpsnio į kitą. Nuo kūdikystės iki vaikystės, nuo vaikystės iki paauglystės, nuo paauglystės iki pilnametystės iki subrendusio ţmogaus ir kuo toliau tuo jis tobulėja savo kelionėje savyje ir aplinkoje. / Bachelor's work examines the notion of travel thru life, travel interpretation in the art work's, fashion clothing in order to understand better this phenomenon and on its basis designed artistic experimental clothing collection. Theoretical analysis of the information revealed that the trip is part of an integral part of human life. Journey starts from the first vague childhood and lasts until late old age. Traveling thru life, we experience a lot of different sensations of which we are learning, the child learns to eat, breathe, feel, walking since its birth as we each start our journey since our life began. Man can not stand still, as his journey through life is short he needs to reach more and more, it is the destination of his life, he travels to and from one life stage to another. From infancy to childhood, from childhood to adolescence, from adolescence to adulthood to mature people, and the farther the journey, the more he improves himself and his environment.

Surrealistic Moments in Raymond Queneau's Novels The objective of this thesis is to study the connection between Raymond Queneau's novels and surrealism. Raymond Queneau was part of the surrealistic group for only a relatively short time and after he left it, he fully rejected the surrealistic movement and concentrated his literary output in another direction. Nevertheless, there are surrealistic moments to be found in his work, on which this thesis will focus. The thesis contains a brief characterisation of surrealism as a literary movement and a basic overview of Raymond Queneau's life and the structure of his works. Special focus is given to the part of the author's life when he was active in the surrealistic group. The thesis further studies the period of time when Raymond Queneau was no longer part of the surrealistic group and when he turned his attention to completely different literary aspects of his production and participated in the work of other literary groups, whose methods differed substantially from the methods of surrealism (Oulipo); special focus is given to the significant aspects of the author's output, i.e. emphasis on the literary form, structure and order of his works. The main focus of the thesis is to study the surrealistic moments in Raymond Queneau's novels, which occur in his...

圖例選單自80年代麥金塔電腦中開始使用後，由於Windows作業系統的普及，愈來愈多的應用軟體採用圖例選單或圖例加文字選單。本研究試圖加入一些可能會影響使用效果的使用者特質變數：如年齡、性別、電腦使用者經驗、使用者對工作熟悉度等，及工作性質變數：如工作複雜度高低，來探討三種不同之人機介面呈現方式：文字選單、圖例選單、文字加圖例選單的客觀使用績效及主觀滿意度。 　　本研究以自行發展之三種不同的選單軟體為實驗工具，選用二種不同之工作性質：文書處理（複雜度較高）及圖書查詢（複雜度較低），分別以政大及政大實小的242位學生為受試者進行實驗。全部測驗時間約一個小時至一個半小時，每班同學隨機分為三組，分別使用某一種選單的實驗工具，測驗只分五部份：事前說明、利用選單完成指定工作、記憶性測驗、滿意度測量、及使用者特質問卷。除事前說明外，其他部份均採線上作業，所有結果均自動記錄在電腦檔案中。 　　本研究結論可分三方面：(1)使用不同的選單在使用績效（完成工作所需時間、正確性、重複處理次數）、記憶性及主觀滿意度 （系統學習性、系統使用性、文字或圖例安排恰當、文字或圖例幫助記憶、及有趣性上）呈顯著差異，顯示三種不同之選單確實對客觀使用績效及主觀滿意度有影響。(2)使用者特質如性別、過去使用電腦的經驗、學歷、對測驗工作的熟悉程度會影響使用績效，但使用者特質並不會間接影響三種選單的使用績效。(3)工作性質的複雜度，影響選單的複雜度，而由於螢幕畫面大小固定，選單的複雜度會影響選單中每一選項所能佔用之位置大小，選項佔用位置的大小對圖例加文字選單之使用績效及滿意度影響最大，對圖例選單次之，文字選單又次之。所以不同的工作性質，三種選單之使用績效及滿意度表現呈不同方式。但是在記憶性測量及主觀有趣性判斷上，圖例選單或圖例加文字選單的表現卻不受工作性質影響，始終優於文字選單。