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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.

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Showing 1 to 6 of 6 (0.029 seconds)

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1

Der Zueignungsbegriff des Unterschlagungstatbestandes : zugleich ein Beitrag zur Subsidiarität der Unterschlagung /

Mikolajczyk, Sascha. January 2005 (has links)
Thesis (doctoral)--Universität, Kiel, 2004.
2

Der Status des Merkmals "rechtswidrig" in Zueignungsabsicht und Bereicherungsabsicht /

Kösch, Angelika. January 1900 (has links)
Diss. Universiẗat Münster, 1998.
3

Drittzueignung und 6. Strafrechtsreformgesetz : zur Neuregelung der [section][section] 242, 246 und 249 StGB /

Noak, Torsten. January 1999 (has links)
Universiẗat, Diss., 1999--Bochum.
4

Drittzueignung und Beteiligung /

Hauck, Pierre. January 2007 (has links)
Universiẗat, Diss., 2006--Gießen.
5

Der Zueignungsbegriff des Unterschlagungstatbestandes : zugleich ein Beitrag zur Subsidiarität der Unterschlagung /

Mikolajczyk, Sascha. January 2005 (has links) (PDF)
Univ., Diss./2005--Kiel, 2004. / Literaturverz. S. 159 - 180.
6

»Wozu die Mühe?« Über Begleiterlizenzen und ihr Schwinden aus der Aufführungspraxis des Kunstlieds. Mit Tonträgeranalysen zu Richard Strauss, »Zueignung« op. 10 Nr. 1

Sprau, Kilian 30 October 2020 (has links)
A performance tradition stemming from the 19th century permitted lied accompanists to deviate considerably from the notated score when a flexible reaction to concrete performance situations was necessary. In this article some of these ‘accompanist’s licences’, as well as their decreasing acceptance in 20th century’s performance style, are described according to written sources. A comparative analysis of recordings of the lied “Zueignung” op. 10 No. 8 by Richard Strauss illustrates exemplarily the decline of ‘accompanist’s licences’ during the decades after 1900. Finally, the results are interpreted against the background of general developments in musical performance style.
info:eu-repo/classification/ddc/780
ddc:780

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