This paper is built on a studytrip to north India i made under the autumn 2005. The purpose for this trip was to give me as a teatcher an experience and insight how to work with art in another culture. I´ve been in “Upper Dharamsala” even called Mcleod Ganj and visited art schools and a great artist . Too implement my investigation i have made interviews and observations in schools and i also hade the chance to spend a hole day with a great artist in India, my impresions was many, and i learned so mutch with this yourney. It is important to develop as a student such as a teatcher within the artistic in the free art such as in the steered art. That is my moust important question with my journey to India. I would like to know why the art in India is so steered and what the steered painting involves, even how they come closer to the free art. I want to give my future art students inspiration from many cultures. I want to feel that i am an inspiration for them, moustly for there imagination.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:kau-285 |
| Date | January 2006 |
| Creators | Persson, Emma |
| Publisher | Karlstads universitet, Estetisk-filosofiska fakulteten |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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