How can the object based art help us, as viewers and as makers, to access a supplanted emotional state? One way of positioning yourself within the corpus-field is to step outside the traditional borders of the field and aim for other values within the objects, such as a visible working process, a storytelling or an emotional relationship to the object. It is a way of taking a step from the traditional silversmithing towards some kind of free undefined corpus-art. To reach for suppressed feelings is one way to find an importance within the artistic work, to give it a purpose. By investigating the concept of the sublime and the surrealist movement I try to find examples on how you, both as a viewer and as a maker, can put yourself in an emotional/intuitive state. Through interviews with Jewellery and corpus artists I get a maker’s perspective which I compare with my own reactions to their work. Works of art can be used as a catalyst to reach, and maybe also to process, unattended feelings. This creates a strong emotional connection to the work. As a maker you can, for example, do this by working with it as a theme, or by using an intuitive working method. But also as a viewer you can be triggered to expose these feelings. Although, it must be said, that the viewer’s experience of artwork is always subjective. I see the focus of emotional communication as a way of verifying the importance of artistic work within the corpus-field.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:konstfack-3349 |
| Date | January 2012 |
| Creators | Nordström, Anna |
| Publisher | Konstfack, Ädellab/Metallformgivning |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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