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Próximo ma(i)s distante: do potencial crítico das imagens de pensamento na obra “Rua de mão única” de Walter Benjamin / Near but/more distant: about the critic potential of the thought images in the work “One way street” by Walter Benjamin

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Previous issue date: 2014-11-30 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Esta pesquisa pretende compreender o conceito de crítica dentro da obra
Rua de mão única (Einbahnstrasse) através da análise do funcionamento e da estrutura
da escrita empregada por Walter Benjamin chamada: “imagem de pensamento”
(Denkbild). Partindo de um procedimento que norteia grande parte dos fragmentos: uma
proximidade distanciadora, potencialmente crítica e reflexiva, proporcionada por formas
aparentemente irrelevantes (unscheinbaren Formen) e pela polarização de imagens e
ideias dissonantes. / This research aims to understand the concept of critic in the work, One
Way Street (Einbahnstrasse) by the analysis of the functioning and the structure of
writing used by Walter Benjamin named: “though-image” (Denkbild). From a procedure
that orients much of the fragments: a proximity distancing, potentially critical and
reflective, provided by apparently irrelevant forms (unscheinbaren Formen) and by the
polarization of dissonant images and ideas

Identiferoai:union.ndltd.org:IBICT/oai:repositorio.unifesp.br:11600/39257
Date11 1900
CreatorsChamiço, Vinicius Domingues [UNIFESP]
ContributorsUniversidade Federal de São Paulo (UNIFESP), Machado, Francisco De Ambrosis Pinheiro [UNIFESP]
PublisherUniversidade Federal de São Paulo (UNIFESP)
Source SetsIBICT Brazilian ETDs
LanguagePortuguese
Detected LanguageEnglish
Typeinfo:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis
Format156 f.
Sourcereponame:Repositório Institucional da UNIFESP, instname:Universidade Federal de São Paulo, instacron:UNIFESP
Rightsinfo:eu-repo/semantics/openAccess

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