Memento Mitten is a project about seeing human hair from the perspective of sustainability as a viable alternative material. The project also aims to question our reluctance in Western Europe to use it in projects and innovations. It explores the process of transforming hair from waste into a functional piece (a mitten) by using traditional handicraft (hand carding, hand spinning and nålbinding) as a change agent in order to alter our perception of hair. Relating anthropologist Mary Douglas’ theory on dirt to the Freudian definition of ‘Das Unheimliche’ (The Uncanny) the project further examines and dissects the emotional aspects of Uncanniness and the anxiety we perceive when in contact with disembodied hair. Leaning on Douglas’ theory on dirt I developed a framework for action that could potentially have the transformative ability to, when applied to creative practices, recontextualize hair from uncanny waste into an emotionally safe material. Utilizing auto-ethnographic documentation, physical exploration and participatory elements (through design interventions), four phases were identified: rejection (identifying hair as waste), re-collection (collecting hair), dissolution (taking apart the hair through acts like hand carding) and assimilation (putting the hair into a new context). These phases, which I titled The Altered Phases of Dirt, showed that they had the potential to move our inner margins of comfort beyond Uncanniness through the physical engagement found in handicraft.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:lnu-99175 |
| Date | January 2020 |
| Creators | Ivarsson, Linnéa |
| Publisher | Linnéuniversitetet, Institutionen för design (DE) |
| Source Sets | DiVA Archive at Upsalla University |
| Language | English |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
Page generated in 0.0034 seconds