Thesis advisor: Stephanie Leone / Despite a surge of scholarly and public interest in the mid-twentieth century, Mannerism remains an ill-defined and problematic period label. The first goal of my thesis is to define the style in its chronology and stylistic attributes. Noting its artificiality and the influence of self-fashioning, I identify its clearest definition in Giorgio Vasari's writing and art. Second, I discuss the use of the sophisticated style by the artist and his patron, Cardinal Alessandro Farnese, as a means of social advancement and legitimization. Finally, I analyze the iconography and style of the Sala dei Cento Giorni in the Palazzo della Cancelleria, Rome as the collaborative apex of the self-fashioning of Vasari and Farnese. / Thesis (BA) — Boston College, 2007. / Submitted to: Boston College. College of Arts and Sciences. / Discipline: Fine Arts. / Discipline: College Honors Program.
| Identifer | oai:union.ndltd.org:BOSTON/oai:dlib.bc.edu:bc-ir_102125 |
| Date | January 2007 |
| Creators | Maye, Kira |
| Publisher | Boston College |
| Source Sets | Boston College |
| Language | English |
| Detected Language | English |
| Type | Text, thesis |
| Format | electronic, application/pdf |
| Rights | Copyright is held by the author, with all rights reserved, unless otherwise noted. |
Page generated in 0.002 seconds