[pt] O propósito principal desse trabalho foi enxergar o cinema enquanto um processo de acumulação do conhecimento, construção de saber e de distinção social. Com esses apontamentos, queremos refletir sobre as possibilidades de significado que provém do cinema enquanto uma experiência capaz de transformar a vida dos indivíduos na medida em que atua na formação dos mesmos em seu caráter pessoal e com isso, participam da estruturação de suas formas de ver, entender e se posicionar perante a sociedade ao qual habitam. Para feitio desse objetivo observa-se uma agenda-diário de um intelectual brasileiro que, na década de 1950, documentou a sua vivência sobre o cinema e, neste objeto, trouxe à tona suas formas de aprender com o cinema. Essa agenda reflete, dentre outras, as práticas de cinema e as vivências proporcionadas pelo mesmo no âmbito de um referencial que enxerga a sétima arte enquanto um instrumento para a formação do indivíduo e um reflexo-espelho da sociedade na qual se insere o próprio. / [en] The main purpose of this study was to understand the relationship with the cinema as a process of knowledge accumulation, knowledge construction and social distinction. With these appointments, we wanted to reflect on the possibilities of meaning that comes from the film as an experience capable of transforming the lives of individuals in that it focuses on developing them into his personal character and, therefore, participates in the structuring of their forms of see, understand and position themselves before the society in which they live. To meet this goal, we took as an empirical agenda / diary organized by an intellectual of Rio de Janeiro who, in the 1950s, documented her experience with film and recorded in this object, his apprenticeship with film. This agenda / diary reflects and documents practical experiences offered by film and related films within a framework that saw the seventh art as a tool for shaping the individual and a mirror reflection of society in which the organizer was part of the material . For empirical analysis were taken as reference the theoretical and methodological studies of personal diaries made by Robert Yinger and reflections of Norbert Elias and Carlo Gizburg. The results suggest that in the period in which it was organized in question, the cinema was seen as a source of knowledge considered legitimate and distinctive in the training staff, aesthetics and politics.
| Identifer | oai:union.ndltd.org:puc-rio.br/oai:MAXWELL.puc-rio.br:18616 |
| Date | 01 November 2011 |
| Creators | RODRIGO ROBERT PORTO |
| Contributors | ROSALIA MARIA DUARTE |
| Publisher | MAXWELL |
| Source Sets | PUC Rio |
| Language | Portuguese |
| Detected Language | English |
| Type | TEXTO |
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