新觀念的引入，常常引起學界對經典的重新詮釋，學術因此而推陳出新。《聊齋誌異》作為古代文言小說的集大成者，其文本具有多元性的意義。本文受到結構主義、「文本互涉」等文學批評觀念的啟發，嘗試以「空間敍事」的角度，對這部小說集展開討論，透過人物與人物、事件與事件之間不同的互動關係，揭示文本的多元意義，同時將作品寓意的建構過程予以具體的呈現。 / 本文以《聊齋誌異》裡不同的結構關係為研究對象，共分五部分：首為緒論，概述前人研究成果以及釐清「空間敍事」作為研究方法的主要概念，以此作為本文的研究前提及語境；第二章以「人狐情愛」故事的情節關係以及「人─狐」不同關係為中心，旨在探討《聊齋誌異》建構的某些敍述規則；第三章則以仙凡互動為主，在仙凡「通」與「不通」之間，以揭示作者所隱藏的寓意、所蘊含的審美趣味；第四章突破純屬考證的整理，以「文本互涉」的視野空間來看《聊齋誌異》對「劉阮遇仙」母題所作的吸收與轉化；末章從「一男兩姝」的設置切入，來探討蒲松齡遵循平行美學原則，所建構的敍事結構，並藉此彰顯結構背後的寓意。 / The classics will be reinterpreted by an introduction of new ideas, and thus bringing innovations to the academia. Liaozhai zhiyi as the masterpiece of classical Chinese novels contains multiple meanings in its text. This thesis, inspired by theories such as structuralism and intertextuality, will adopt a novel methodology, namely spatial narration in initiating a discussion. Through interactive relationships among characters and among events, this thesis reveals pluralistic meanings of text while at the same time illustrating the process of constructing implied messages. / The research subjects of this thesis are different structural relationships in Liaozhai zhiyi. And this thesis is divided into five chapters, of which the first is introduction, summarizing previous scholarly research findings of and working out the concept of spatial narration as the main methodological concept and hence establishes research premise and context. Chapter two utilizes plot and human-fox relationship in the human-fox love story as focus, aims at discussing rules of narration formulated in Liaozhai zhiyi. Chapter three mainly uses interactions between the immortals and mortals to reveal author’s entailed messages and implied aesthetic standards (or standard of appreciation) in between intercommunication and obstruction of the immortals and mortals. Chapter four breaks though mere textual analysis, adopts the perspective of intertextuality to perceive Liaozhai zhiyi’s absorption and transformation of the Story of Liu and Ruan’s meeting with fairy maiden by chance. The final chapter intersects with the setting of double lovers to discuss the aesthetic principles of parallelism observed by Pu Songling and structure of narration constructed, and therefore explicating implied messages behind structure. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 王玲玲. / Parallel title from English abstract. / Thesis (M.Phil.) Chinese University of Hong Kong, 2014. / Includes bibliographical references (leaves 116-124). / Abstracts in English and Chinese. / Wang Lingling.
| Identifer | oai:union.ndltd.org:cuhk.edu.hk/oai:cuhk-dr:cuhk_1202975 |
| Date | January 2014 |
| Contributors | 王玲玲 (author.), Chinese University of Hong Kong Graduate School. Division of Chinese Language and Literature. (degree granting institution.), Wang, Lingling (author.) |
| Source Sets | The Chinese University of Hong Kong |
| Language | Chinese, English |
| Detected Language | English |
| Type | Text, bibliography, text |
| Format | electronic resource], electronic resource, remote, 1 online resource (131 leaves), computer, online resource |
| Rights | Use of this resource is governed by the terms and conditions of the Creative Commons “Attribution-NonCommercial-NoDerivatives 4.0 International” License (http://creativecommons.org/licenses/by-nc-nd/4.0/) |
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