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Harmony and Structure in Richard Strauss's Macbeth

This study begins with a discussion of step theory. Included in this discussion is the basis of chord succession, the idea of fundamental representation, and the uses of reinterpretation technique. These concepts are then used to demonstrate the continuity and logic of the harmonic language found in Strauss's Macbeth.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc278998
Date08 1900
CreatorsBills, Danny C.
ContributorsPhipps, Graham Howard, Saslaw, Janna K., Sovik, Thomas Paul
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formatv, 66 leaves : ill., Text
RightsPublic, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved., Bills, Danny C.

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