This study of the graphic field in notes on space, undated (log 3) focuses on how the white emptiness of a page plays a structural role in the articulation of dissociated fragments of notes. According to the criteria of three theorists (Genette, Lapacherie, Baetens), the distinction between non-linear and tabular proves to be non-exclusive in this particular work. Ostensibly, this non-figurative writing instigates interactive contemplation and lends itself to multiple entries, like an object one contemplates from every possible visual perspective without ever constructing a representation or image. The poetic form that du Bouchet explores renders perceptible the latent materiality of all text.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc4389 |
| Date | 12 1900 |
| Creators | Simmons, Sandra |
| Contributors | Sirvent, Michel, Nash, Jerry, Kaplan, Marijn S. |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English, French |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | Text |
| Rights | Public, Copyright, Simmons, Sandra, Copyright is held by the author, unless otherwise noted. All rights reserved. |
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