This dissertation explores the concept of reproduction as it relates to processes,
images and materials in contemporary art. The concept embraces collaboration,
embroidery, fragmentation, diffusion, multiplicity, inclusivity, decentralisation,
copy, pastiche and appropriation. The convergence of these practices and ideas
in contemporary theories and contemporary art, my own included, is explored.
The concept ofreproduction intersects with traditional structures of knowledge
and aesthetics, such as those of the Individual Artist, authenticity and the
construct of Woman. In the process, these are questioned and inevitably
redefined. A re-weaving of female identity, in particular, emerges. At the same
time, the traditional notion of reproduction is itself unravelled in order to reveal
the ambiguities and multi-layered meanings inherent in the concept.
Reproductive or regenerative practices and ideas, as examined here, become an
effective force for unfolding the complexities of a female-specific aesthetic and
identity, previously reduced by traditional structures. / Fine Arts / M.A. (Fine Arts)
| Identifer | oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:unisa/oai:umkn-dsp01.int.unisa.ac.za:10500/17217 |
| Date | 02 1900 |
| Creators | Lijnes, Karin Margaret-Mary Teresa |
| Contributors | Bester, Valerie, Pretorius, Elfriede |
| Source Sets | South African National ETD Portal |
| Language | English |
| Detected Language | English |
| Type | Dissertation |
| Format | Colonial -- South Africa.", 1 online resource (vii, 177 leaves) |
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