The study of Japan has too often been premised upon a crude presupposition that any intellectual or artistic production is predetermined by the structure of Japanese language or culture. This rather culturalist assumption can be sustained only by a refusal to entertain theoretical critiques. This article shows that the typical culturalist argument about Japanese literature is based upon a misconception of translation and the accompanying essentialist view of language.
| Identifer | oai:union.ndltd.org:DRESDEN/oai:qucosa.de:bsz:15-qucosa-161094 |
| Date | 17 February 2015 |
| Creators | Sakai, Naoki |
| Contributors | Meiner, |
| Publisher | Universitätsbibliothek Leipzig |
| Source Sets | Hochschulschriftenserver (HSSS) der SLUB Dresden |
| Language | deu |
| Detected Language | English |
| Type | doc-type:article |
| Format | application/pdf |
| Source | Dialektik, 1998,1, S. 11 - 28 ISSN 0939-5512 |
Page generated in 0.002 seconds