Return to search

Entre o muro concreto e a cortina invis?vel

Submitted by Setor de Tratamento da Informa??o - BC/PUCRS (tede2@pucrs.br) on 2016-04-19T17:36:52Z
No. of bitstreams: 1
DIS_RAQUEL_BELISARIO_DA_SILVA_COMPLETO.pdf: 1075389 bytes, checksum: e4e0a1f5309539fa803e5b7dfcd4ee00 (MD5) / Made available in DSpace on 2016-04-19T17:36:52Z (GMT). No. of bitstreams: 1
DIS_RAQUEL_BELISARIO_DA_SILVA_COMPLETO.pdf: 1075389 bytes, checksum: e4e0a1f5309539fa803e5b7dfcd4ee00 (MD5)
Previous issue date: 2016-02-29 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / This research explores, in Eastern European countries contemporary literature, some possibilities of trauma fictionalization when you live in an area restrained by an authoritarian state. During the Cold War, the inhabitants of countries aligned with the Socialist Soviet regime suffered with general restrictions such as the limitation of freedom of movement, the government control of the economy and the food shortages, but also suffered with a constant threat: the possibility of a nuclear war happened. Furthermore, citizens who were denounced as enemies of the state passed to be persecuted by the political police, which manipulated them through surveillance, physical violence and emotional instability. The repression atmosphere, the fear and the violence were components of a disturbing reality that created conditions for a cumulative trauma existence. The aim of this paper is to check how the traumatic experience of this time and the trauma resistance strategies are represented in literature written after the end of communist dictatorship. For this purpose, three works were selected: Am k?rzeren Ende der Sonnenallee, by Thomas Brussig; A feh?r kir?ly, by Gy?rgy Dragoman; and Heute w?r ich mir lieber nicht begegnet, by Herta M?ller. The works were analyzed in the light of theorists such as Theodor W. Adorno, Michel de Certeau, Gaston Bachelard, Linda Hutcheon, Boris Uspenski, among others. As in these three novels the historical context interferes in different ways in the characters? lives, the books were analyzed separately to make possible to identify, in each one, the periods of trauma construction and internalization. This division remains in the final chapter, where the compositional aspect of the works is checked, taking into account the narrator and his spatiotemporal point of view, the organization of narrated memory and the distorting mirrors through which the period is revisited. From these analyzes, it was observed that, although they have some differences, the narratives studied bring some features that approach then and that can be considered specific representations of literature that focuses on the Cold War period. / Esta pesquisa pretende explorar, na literatura contempor?nea dos pa?ses do Leste Europeu, algumas possibilidades de ficcionaliza??o do trauma de viver em um espa?o dominado por um Estado autorit?rio. Durante a Guerra Fria, os habitantes de pa?ses alinhados com o regime socialista sovi?tico sofreram com as restri??es mais gerais, como o cerceamento do direito de livre circula??o, o controle da economia e a escassez de alimentos, mas tamb?m com uma constante amea?a de que houvesse uma guerra nuclear. Al?m disso, os cidad?os que por algum motivo eram denunciados como inimigos do Estado passavam a ser perseguidos pela pol?cia pol?tica, que os manipulava atrav?s de vigil?ncia, de viol?ncia f?sica e de desestabiliza??o emocional. A atmosfera de repress?o, o medo e a viol?ncia foram componentes de uma realidade perturbadora, que criou condi??es para a exist?ncia de um trauma cumulativo. O objetivo deste trabalho ? verificar como est?o representadas na literatura escrita ap?s o fim da ditadura comunista a experi?ncia traum?tica destes tempos e as estrat?gias de resist?ncia ao trauma. Com esta finalidade, foram selecionadas tr?s obras: O charuto apagado de Churchill, de Thomas Brussig; O rei branco, de Gy?rgy Dragom?n; e O compromisso, de Herta M?ller. As obras foram analisadas sob a luz de te?ricos como Theodor W. Adorno, Michel de Certeau, Gaston Bachelard, Linda Hutcheon, Boris Uspenski, entre outros. Como nestes tr?s romances o contexto hist?rico interfere de formas diferentes nas vidas das personagens, eles foram analisados em separado, para que fosse poss?vel identificar, em cada um, os per?odos de constru??o e internaliza??o do trauma. Esta divis?o permanece no cap?tulo final, em que ? verificado o aspecto composicional das obras, levando em considera??o o narrador e seu ponto de vista espa?o-temporal, a organiza??o da mem?ria narrada e os espelhos deformantes atrav?s dos quais o per?odo ? revisitado. A partir destas an?lises, foi verificado que, embora apresentem algumas diferen?as entre si, as narrativas estudadas trazem caracter?sticas que as aproximam e que podem ser consideradas representa??es espec?ficas da literatura que enfoca o per?odo da Guerra Fria.

Identiferoai:union.ndltd.org:IBICT/oai:tede2.pucrs.br:tede/6610
Date29 February 2016
CreatorsSilva, Raquel Belisario da
ContributorsTheobald, Pedro
PublisherPontif?cia Universidade Cat?lica do Rio Grande do Sul, Programa de P?s-Gradua??o em Letras, PUCRS, Brasil, Faculdade de Letras
Source SetsIBICT Brazilian ETDs
LanguagePortuguese
Detected LanguageEnglish
Typeinfo:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis
Formatapplication/pdf
Sourcereponame:Biblioteca Digital de Teses e Dissertações da PUC_RS, instname:Pontifícia Universidade Católica do Rio Grande do Sul, instacron:PUC_RS
Rightsinfo:eu-repo/semantics/openAccess
Relation8447345070736321569, 600, 600, 600, 600, -2856882280194242995, -5409419262886498088, 2075167498588264571

Page generated in 0.0017 seconds