Made available in DSpace on 2016-06-02T20:13:15Z (GMT). No. of bitstreams: 1
5659.pdf: 423776 bytes, checksum: 6281b1f112277d9e670009ebce3fd8fd (MD5)
Previous issue date: 2007-08-21 / Financiadora de Estudos e Projetos / This dissertation intends to investigate Adorno s analysis concerning Beethoven s late style in the attempt of understanding the importance delegated to this composer s works, which led Adorno to identify it with the beginning of a process that would culminate in Schoenberg. For doing that, we will use these comprised fragments in Beethoven s work: the philosophy of music, in special The Style I and II . / A presente dissertação procura investigar as análises de Adorno acerca do estilo tardio de Beethoven na tentativa de compreender a importância delegada às obras deste compositor que levaram Adorno a identificá-lo com o início de um processo que culminaria em Schoenberg. Para tanto, utilizaremos os fragmentos compreendidos na obra Beethoven: the philosophy of music, em especial The Style I e II .
Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufscar.br:ufscar/4880 |
Date | 21 August 2007 |
Creators | Jurado, Thamara Moretti Soria |
Contributors | Maar, Wolfgang Leo |
Publisher | Universidade Federal de São Carlos, Programa de Pós-graduação em Filosofia e Metodologia das Ciências, UFSCar, BR |
Source Sets | IBICT Brazilian ETDs |
Language | Portuguese |
Detected Language | English |
Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
Format | application/pdf |
Source | reponame:Repositório Institucional da UFSCAR, instname:Universidade Federal de São Carlos, instacron:UFSCAR |
Rights | info:eu-repo/semantics/openAccess |
Page generated in 0.0015 seconds