When thinking specifically of transnationalism, African diaspora and the fluidity of identity: Where do we locate Afro-Latina women? The answer for this question would seem to come from a Black or Chicano feminist thought, nonetheless, these theoretical frameworks have static spaces where fluid subjectivities like that of Afro-Latina women are not recognized. This report frames a theoretical conversation between these two frameworks through a dialectic discussion of their empty spaces or limits and proposes a new approach to Afro-Latina feminism based on the processes and intersections of Black consciousness, sexuality, and the knowledges that are created through the body and its fluidity. More importantly, paying close attention to the roles of translocation, transformation, and the fluidity of identity. In furthering this theoretical conversation, under the theme of Afro-Latina women, this report takes on the case of Dominican women’s transnational experiences and their different dimensions as represented in novels like, Nelly Rosario’s Song of the Water Saints and Ana Lara’s Erzulie’s Skirt. Looking specifically at the relationships between women and women, and women and their bodies as being transformed through the sacred, this report concludes that the centrality of Afro-Latina women’s experience is in recognizing that the body as an archive, is a place from where knowledges are re-created and disseminated creating a feminist epistemology for themselves. / text
| Identifer | oai:union.ndltd.org:UTEXAS/oai:repositories.lib.utexas.edu:2152/24097 |
| Date | 23 April 2014 |
| Creators | Zamora, Omaris Zunilda |
| Source Sets | University of Texas |
| Detected Language | English |
| Type | Thesis |
| Format | application/pdf |
Page generated in 0.0019 seconds