This project is a composition of the intersectionality between process, structure, and materiality, and an obsession, fixation, and fetishization of the simplistic yet repetitive ‘chain’ form. The thematic infatuation with the chain form became evident throughout my work in Spring 2014, while working with bronze, wood, and brass at the Slade School of Fine art in London, England. This fall I expanded on this concept to create my own representations of the chain form, abstracting and deterring it from any sociocultural origins, contexts, or landscapes.
| Identifer | oai:union.ndltd.org:CLAREMONT/oai:scholarship.claremont.edu:scripps_theses-1561 |
| Date | 01 January 2015 |
| Creators | Ross, Haley C |
| Publisher | Scholarship @ Claremont |
| Source Sets | Claremont Colleges |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Scripps Senior Theses |
| Rights | © 2014 Haley C. Ross |
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