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Konstens andlighet och digitaliseringens framsteg : En undersökning av hur den digitala upplevelsen skiljer sig från den fysiska upplevelsen av konst / The arts aura and the digitalised progress : A study on how the experience of art differs from each other whether the viewing is digitalised or physical.

This essay's main topic is how the digitalization of art affects the experience. This was done by comparing a digitalized and a physical viewing of the art exhibit Katja of Sweden at Kristinehamns Konstmuseum. The two versions were analysed through Spielberg’s seven phenomenological steps: experience, ideation, generalizing, nuancing, constitution, reduction, and interpretation. They were then compared through a comparative method highlighting the similarities and differences between the two versions of the art exhibit. The concept of a museum as a place and space was then analysed through Christian Norberg-Schultz's argument phenomenon of place, and Walter Benjamins's argument of the aura of the artwork. The conclusion that came from the analysis was that digitalization affected how the visitor interacted with the art exhibit's place and space. Even so, the digitalisation of the exhibit Katja of Sweden was deemed a necessary precaution to ensure that the visitors could take part in the exhibit even if the museum were closed, due to the restrictions that came with the Covid-19 pandemic.

Identiferoai:union.ndltd.org:UPSALLA1/oai:DiVA.org:umu-219856
Date January 2024
CreatorsJonsson, Elin
PublisherUmeå universitet, Institutionen för kultur- och medievetenskaper
Source SetsDiVA Archive at Upsalla University
LanguageSwedish
Detected LanguageEnglish
TypeStudent thesis, info:eu-repo/semantics/bachelorThesis, text
Formatapplication/pdf
Rightsinfo:eu-repo/semantics/openAccess

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