Francisco Goya (1746-1828) created a series of prints entitled The Disasters of War (1810-1820) (Los Desastres de la Guerra) depicting the Napoleonic Wars in Spain, the famine that subsequently occurred in Madrid, and symbolic representations similar to his print series Los Caprichos (1797-1799). This thesis will consider Goya’s use of the unclothed human body in his series of prints The Disasters of War. This thesis will place these representations within the contexts of other works produced by Goya that portray the unclothed figures, as well as within the Spanish artistic tradition of Goya’s time. Through this investigation, I will situate the role representation of the unclothed body serves throughout the series.
| Identifer | oai:union.ndltd.org:vcu.edu/oai:scholarscompass.vcu.edu:etd-1431 |
| Date | 09 October 2012 |
| Creators | Sanderford, Elizabeth |
| Publisher | VCU Scholars Compass |
| Source Sets | Virginia Commonwealth University |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Theses and Dissertations |
| Rights | © The Author |
Page generated in 0.0022 seconds