Clara Schumann’s impact on the history of piano playing and the development of 19th century concert life can hardly be denied. But understanding her pianistic career in terms of the work of a modern soloist covers the fact that she actually spent a large amount of time on stage not alone but performing together with colleagues. Taking a closer look at Clara Schumann’s collaboration with the baritone Julius Stockhausen, this article provides special insight into this field of her professional life: In addition to uncovering the contexts of collective concert programming and its reception it sheds light on the evolution of the Lied accompanist’s artistic identity in general and Clara Schumann’s specific ideal of communicating through musical performance.
| Identifer | oai:union.ndltd.org:DRESDEN/oai:qucosa:de:qucosa:72646 |
| Date | 30 October 2020 |
| Creators | Günther, Martin |
| Contributors | Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold |
| Source Sets | Hochschulschriftenserver (HSSS) der SLUB Dresden |
| Language | German |
| Detected Language | English |
| Type | doc-type:conferenceObject, info:eu-repo/semantics/conferenceObject, doc-type:Text |
| Rights | info:eu-repo/semantics/openAccess |
| Relation | 10.25366/2020.78, urn:nbn:de:bsz:14-qucosa2-726312, qucosa:72631 |
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