This dissertation discusses the role of the piccolo in Beethoven’s orchestration in his symphonic works. These include the Fifth Symphony, the Sixth Symphony, the Egmont Overture and the Ninth Symphony. The document includes the history of piccolo’s development since the ninth century B.C. until the modern Boehm piccolo. The author provides comparative observation through Beethoven’s orchestration techniques such as the range covered, instrumental pairing, balance, and melodic organization of each symphony works. In addition to discussing development of the piccolo in orchestration, this study compares the piccolo’s usage through motives (e.g. the “Ode to Joy” theme), harmonic analysis; range; balance; and melodic organization. Appendix A provides of tables that summarize piccolo’s harmonic function of works discussed to help the reader comprehend the piccolo function at a glance. This dissertation includes observations of performers, theorists and musicians; and these guides provide the reader with better understanding of the piccolo’s place in Beethoven’s orchestration. By following the observations, piccolo players will bring a deeper musical and technical understanding to individual performances.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc103400 |
| Date | 12 1900 |
| Creators | Teng, Kuo-Jen |
| Contributors | Clardy, Mary Karen, Couturiaux, Clay, Papich, George |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | Text |
| Rights | Public, Teng, Kuo-Jen, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved. |
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