This thesis investigates the development of the biography of the Baroque portrait painter, Mary Beale (1633-1699), through historiography. The conventional gendered construction of Mary, primarily as a wife and mother, and secondarily as an artist, will be traced and examined, from the earliest art historical references to her, to the most recent. / Graduate
Identifer | oai:union.ndltd.org:uvic.ca/oai:dspace.library.uvic.ca:1828/8193 |
Date | 25 May 2017 |
Creators | Campbell, Kristin Erin |
Contributors | Gibson-Wood, Carol |
Source Sets | University of Victoria |
Language | English, English |
Detected Language | English |
Type | Thesis |
Rights | Available to the World Wide Web |
Page generated in 0.0025 seconds