In this project I investigate the impact of musical influences on listeners, particularly in performance and composition. The study is motivated by a personal quest to understand how musical inspirations shape proficiency on an instrument and compositional abilities. Five pieces with varied grooves, tempos, and harmonics were composed and performed on March 19, 2024, at the Royal Academy of Music in Stockholm to examine these influences. Audience feedback indicated recognizable connections to music from the 1950s and 1960s. Post-concert analysis revealed insights into the direct and indirect influences on the compositions, detailing the thought processes behind each piece. The discussion offers a comprehensive summary, linking the work to instrumental techniques and highlighting the development of skills in composition and leadership. This project has broadened my perception of composition, demonstrating increased versatility and providing new methods for future musical endeavors. / <p>Dark Keys - Erik Cappelin</p><p>Clownen Pucko - Erik Cappelin</p><p>Leach - Erik Cappelin</p><p>Song for Ture Björkman - Erik Cappelin</p><p>The Equalizer - Erik Cappelin</p><p></p><p>Medverkande musiker:</p><p>Eskil Larsson - Tenorsaxofon</p><p>Hampus Adami - Ventilbasun</p><p>Mattias Lindberg - Piano</p><p>Hugo Löf - Kontrabas</p><p>Erik Cappelin - Trummor</p><p></p>
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:kmh-5301 |
| Date | January 2024 |
| Creators | Cappelin, Erik |
| Publisher | Kungl. Musikhögskolan, Institutionen för jazz |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
Page generated in 0.0021 seconds