This dissertation brings critical visual culture studies to bear on mediatized representations of borders and migration in U.S. and Mexican contexts. In particular, this study examines how the human price of the North American Free Trade Agreement is represented and/or disappeared in popular visual culture. I deploy an eclectic methodological framework whose elements emerge from the confluence of Border Studies, Visual Cultural Studies and theorizations of neoliberalism in order to study how television, print media and narrative and documentary film serve as sites for both the visual constitution and critical contestation of neoliberal agendas. For example, I view objects of visual culture such as the Border Wars television program, Backpacker magazine and films Sin dejar huella and AbUSed: The Postville Raid as powerful and privileged sites for the analysis of political discourses.
| Identifer | oai:union.ndltd.org:arizona.edu/oai:arizona.openrepository.com:10150/299070 |
| Date | January 2013 |
| Creators | Wilson, Jamie |
| Contributors | Gutierrez, Laura, Briggs, Laura, Duran, Javier |
| Publisher | The University of Arizona. |
| Source Sets | University of Arizona |
| Language | English |
| Detected Language | English |
| Type | text, Electronic Dissertation |
| Rights | Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. |
Page generated in 0.0069 seconds