The 19th century represents the arrival of the Portuguese royal family in Brazil and, with it, significant changes in society and the local population. A formerly reclusive member of society begins to take shape not only in public life but also within the literature: the Brazilian woman. Despite her changing social role, prevailing hygienist and medical theories of the time pointed to the lack of vocation of the nineteenth-century woman for rational matters; which in naturalism implies that these pseudo-scientific theories would be the base to dissect and explain the social pathologies of Rio de Janeiro, Brazil, and society at large. In my thesis, I propose the analysis of the Naturalist novel Lar (Home), by Pardal Mallet—a lesser-known Brazilian author who was involved with Naturalist, pro-abolitionist, republican, and divorce issues from 1887 to 1894—while contesting its main argument that female characters in the novel sought only one thing: marriage in order to appease their sexual curiosity. Additionally, I will also analyze the representation of middle-class women in Rio and their greater participation in society in the last decades of the 1800s. For my theoretical basis, I use Gayatri Spivak's analysis of women as the Other, the subaltern; and the examination carried out throughout this work will ultimately focus on answering one question: does the carioca woman of the 19th century have a representation consistent with the advances of social insertion that the genre conquered throughout that century, in this novel?
| Identifer | oai:union.ndltd.org:BGMYU2/oai:scholarsarchive.byu.edu:etd-11305 |
| Date | 10 April 2023 |
| Creators | de Oliveira Zanetti, Jessyca Kimberly |
| Publisher | BYU ScholarsArchive |
| Source Sets | Brigham Young University |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Theses and Dissertations |
| Rights | https://lib.byu.edu/about/copyright/ |
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