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Consuming Brazil: Afro Brazilian Religion as a Base for Actor Training

Actor training, like the theatre in Brazil, has historically been a middle and upper class pursuit that followed European models, namely Stanislavski's system. Yet within Brazil there is a wealth of diverse cultures that are inherently theatrical and well suited for application in actor training. In this study I explore one such culture, the Afro Brazilian religion Umbanda. First, I examine its formation to illuminate how the religion itself performed (or served as a site for cultural interaction) throughout history. Then, I explore the practice of the religion both apart from and in relation to the theatre and Stanislavski's system. Using the archetypes of Umbanda as a base, I formulate a system of actor training that both allows access to a larger demographic of Brazilians, and also encourages cultural dialogue as an explicit part of acting process. I frame this study with two metaphors: anthropophagy, the notion of cannibalizing or consuming one culture by another; and, more specifically, the digestive tract. The anthropophagy movement in Brazil framed the country's thought throughout much of the 20th century; the digestive tract is a closer examination of the consuming process that epitomizes this system of actor training.

Identiferoai:union.ndltd.org:vcu.edu/oai:scholarscompass.vcu.edu:etd-2022
Date01 January 2006
CreatorsRoberts, Corey Justin
PublisherVCU Scholars Compass
Source SetsVirginia Commonwealth University
Detected LanguageEnglish
Typetext
Formatapplication/pdf
SourceTheses and Dissertations
Rights© The Author

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