「自由」在本論文中，可以理解為實體、抽象、比喻意義上的「通道」。我認為那些最初大概源於城市經驗的關於通道的想像，既是西西致力書寫的對象，也是她小說美學的理想。以本雅明的《拱廊街計劃》（Das Passagen-Werk），以及狄雪圖的步行者美學作為理解「通道」的起點。人群、商品、貨幣、資訊等的流動變易可說是它最重要的特質，從維希留速度學的角度看來，它的極致則是「消失」的空間。 / 我使用通道一詞，不僅指向西西小說中現實的城市空間和它的實踐者（通過對庶民生活細緻而富有詩意的描寫，在理論家們看來，日漸抽象無法把握的城市文化，在西西小說裡卻呈現出它最具質感而活潑的部分），同時也是西西多年來在寫作這門技藝漸漸透現的美學特徵，以及價值理想。這意味著西西以多重視點、對話、拼貼、互文，混合媒介等等技法來創造文本的開放視野，以及流動狀態，但這些明顯具有「後現代」特徵的形式並不指向意義消解的世界，它們的遊戲性充滿了對世界的深情關注。因此，西西的「通道」既有著資本主義城市開放流動的特徵，但同時也是對它那種無情個性的抵抗。流動意味著的不是消失，而是溝通與對話，以致於透現出一種生命意識：宇宙萬物可以彼此轉化流動。 / In this dissertation, “freedom can be understood as “passages in their literal, abstract and figurative senses. I consider the concept of “passages as inspired initially by urban experience, and as the theme and aesthetic ideal of Xi Xi’s fiction. Using Walter Benjamin’s The Arcades Project (Das Passagen-Werk) and Michel de Certeau’s notion of “street walkers as a starting point, the most important characteristic of “passages can be seen as their fluid, transient nature in terms of people, commercial goods, currency, information, etc.; and from the perspective of Paul Virilio’s dromology, they can be spaces of “disappearance in their most extreme form. / I use the term “passages, not only to refer to urban space and its practitioners in Xi Xi’s novels (through the poetic and meticulous descriptions of ordinary people’s daily lives, which demonstrates how Xi Xi’s work represents the most concrete and liveliest parts of urban culture--in spite of theorists’ notion of the city as an increasingly abstract space), but also to reflect the aesthetic features, ideals, and values developed over the years in Xi Xi’s writing. Using the techniques of different points of view, dialogue, collage, intertextuality, mixed media, etc., Xi Xi’s fiction enables formal fluidity and openness. But the obvious “postmodern characteristics of these formal experiments do not aim at the elimination of meaning. Rather, the playful gestures in these works are full of affectionate attention toward the world. Xi Xi’s work, therefore, adapts the fluidity of “passages in a capitalist city, but at the same time, resists its ruthless nature. “Passages in her work do not imply disappearance, but communication and dialogue. They also exhibit a vision of life: all things in the fluid universe can transform into each other. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 謝曉虹. / "2013年7月". / "2013 nian 7 yue". / Thesis (Ph.D.)--Chinese University of Hong Kong, 2013. / Includes bibliographical references (leaves 73-75). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstract in Chinese and English. / Xie Xiaohong. / Chapter 引言 --- 關於通道的美學 --- p.（頁1） / Chapter 第一章 --- 穿牆人 / Chapter 第一節 --- 牆 --- p.（頁9） / Chapter 第二節 --- 名字 --- p.（頁11） / Chapter 第三節 --- 離地 --- p.（頁14） / Chapter 第四節 --- 故事的形狀 --- p.（頁17） / Chapter 第二章 --- 通道 / Chapter 第一節 --- 通道 --- p.（頁22） / Chapter 第二節 --- 陌生人 --- p.（頁28） / Chapter 第三節 --- 公共人 --- p.（頁32） / Chapter 第三章 --- 眼睛 / Chapter 第一節 --- 眼睛 --- p.（頁35） / Chapter 第二節 --- 沉思者 --- p.（頁38） / Chapter 第三節 --- 店玻璃 --- p.（頁42） / Chapter 第四章 --- 軟世界 / Chapter 第一節 --- 五十七個電視 --- p.（頁47） / Chapter 第二節 --- 縫接 --- p.（頁49） / Chapter 第三節 --- 肉體與石頭 --- p.（頁52） / Chapter 第四節 --- 軟世界 --- p.（頁55） / Chapter 第五章 --- 造房子 / Chapter 第一節 --- 立體房子 --- p.(頁59) / Chapter 第二節 --- 無數度 --- p.(頁62) / Chapter 第三節 --- 房子的自由 --- p.(頁67) / 引用書目 --- p.(頁73)
| Identifer | oai:union.ndltd.org:cuhk.edu.hk/oai:cuhk-dr:cuhk_328333 |
| Date | January 2013 |
| Contributors | 謝曉虹 , 1977-, Chinese University of Hong Kong Graduate School. Division of Chinese Language., Xie, Xiaohong , 1977- |
| Source Sets | The Chinese University of Hong Kong |
| Language | Chinese, English |
| Detected Language | English |
| Type | Text, bibliography |
| Format | electronic resource, electronic resource, remote, 1 online resource (i, 75 leaves) |
| Coverage | 20th century |
| Rights | Use of this resource is governed by the terms and conditions of the Creative Commons “Attribution-NonCommercial-NoDerivatives 4.0 International” License (http://creativecommons.org/licenses/by-nc-nd/4.0/) |
Page generated in 0.0018 seconds