This thesis examines the deeply layered genre of crime and detective fiction together with academic texts dealing, broadly, with urban geography. These apparently separated writings are read together and against one another in order to reveal answers to important questions of how the city is organized and arranged in its texts. In particular, this thesis analyzes certain structures in place in forms of textual representation, structures which have deep implications for the writing of the city. Edgar Allan Poe's Dupin stories appear alongside Michael Dibdin's Aurelio Zen novels, and Christopher Prendergast's study of Paris in the nineteenth century. Walter Mosley's series of Los Angeles mysteries are discussed in the context of particularly prominent academic representations of L.A. Reading such a diverse collection of texts together and against one another is a deliberate tactic, intended to draw out the similar structures in place in very different forms of writing. Those structures are the critical issue here, specifically with regard to the need for examinations of the city that consider not merely which components of the city appear in texts about the city, but also how the city appears in text. How the city appears in text has a good deal to do with the demands exercised by the medium of representation, and a key concern here is to draw out the need for doing away with an often unquestioned separation between places—cities—and their texts. Instead what is studied and ultimately proposed here is a focus on the intersection between subject and textual structure, and how that intersection actively produces the city.

This thesis examines the deeply layered genre of crime and detective fiction together with academic texts dealing, broadly, with urban geography. These apparently separated writings are read together and against one another in order to reveal answers to important questions of how the city is organized and arranged in its texts. In particular, this thesis analyzes certain structures in place in forms of textual representation, structures which have deep implications for the writing of the city. Edgar Allan Poe's Dupin stories appear alongside Michael Dibdin's Aurelio Zen novels, and Christopher Prendergast's study of Paris in the nineteenth century. Walter Mosley's series of Los Angeles mysteries are discussed in the context of particularly prominent academic representations of L.A. Reading such a diverse collection of texts together and against one another is a deliberate tactic, intended to draw out the similar structures in place in very different forms of writing. Those structures are the critical issue here, specifically with regard to the need for examinations of the city that consider not merely which components of the city appear in texts about the city, but also how the city appears in text. How the city appears in text has a good deal to do with the demands exercised by the medium of representation, and a key concern here is to draw out the need for doing away with an often unquestioned separation between places—cities—and their texts. Instead what is studied and ultimately proposed here is a focus on the intersection between subject and textual structure, and how that intersection actively produces the city. / Arts, Faculty of / Geography, Department of / Graduate

Thesis (M.A.)--University of Wisconsin--Madison, 1967. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Thesis--Basel. / Vita. Bibliographical foot-notes.

No description available.

It is the purpose of this thesis to discuss the works of German poets who describe the large modern city and deal with various aspects of city life and city people.

Thesis (Ph. D.)--University of Oregon, 2001. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 227-239). Also available for download via the World Wide Web; free to University of Oregon users.

published_or_final_version / Chinese / Master / Master of Philosophy

This dissertation explores the influence of European and Mesoamerican traditions of urbanization on the plays of Juan Ruiz de Alarcon, a sixteen- seventeenth-century dramatist born in the Spanish Viceroyalty of New Spain. The objective of this dissertation is to study the analogy between urban designs and their representation in theatre from the Ancient Greece until the Golden Age Spanish Theatre. As we acknowledge the influence of the urban configuration on the mentality of that particular period, we also seek to explain how the surrounding reality becomes like an ideological postulate with the passing of time. By analysing and defining the cities from the Ancient Greece to the period known as the Baroque, we aim at defining the new form taken by their inherent spatial notions when they merge with those of the ancient historic capital of the Mexica empire, that is, Mexico-Tenochtitlan. As the two worlds were coming into contact, the changes as well as the exchange of cultural legacies and urban experiences endowed the author's town of birth with a new way of communicating, which was at the same time both Spanish and non-Spanish. This allowed the author to write plots where the urban setting would not determine all the characters' actions and reactions, as was the case with the Golden Age dramatists in Spain.

Thesis (Ph. D.)--University of Pennsylvania. / On cover: University of Pennsylvania. Bibliography: p. [174]-175. "American novels dealing with city life": p. [176]-183.